Through provocative and searching readings of the poetry of Wordsworth; the poems, criticism, and journalism of Coleridge; the Confessions of De Quincey; and Sir Walter Scott's Waverley, Christensen concludes that during complicated times of war and revolution English Romantic writers were forced to redefine their role as artists.
This book argues that recognition of the corporate studio's role as author of Hollywood motion pictures enables original interpretations of Hollywood films and provides a deeper understanding of their cultural, political, and commercial objectives.
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