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  • av Jfa
    290,-

    CONTENTSCreative Think Piece: A Grace-ful TestimonyJason ObyToward a Broader Definition of the Unrealistic: Louise Erdrich's Future Home of the Living God and Ernesto Qui?onez's Ta?naM?nica G. AyusoCommunication Breakdown: Failed Embodied Individuation and Computer Mediated Communication in Samanta Schweblin's Kentukis [Little Eyes]Anthony L?pez GetBenevolent Conspiracy: Biopolitics and Paranoia in Shane Carruth's Upstream ColorSteffen HantkeFilmic Transpositions of Comic Books: Theorising the Relationship Between the Languages of Cinema and ComicsYuri GarciaGrotesque Bodies and Grotesque Power in Djinn City and CloneSayujya SankarJinetes de la tormenta: The Invasive Influence of Gender Constructs on the Journey Towards Selfhood and Societal ProgressMarissa LuquetteThe Queer Temporality of Gail Carriger's Parasol Protectorate Willow M. Conley and Natalie Grinnell"I'm No Mollycoddle": A Reinterpretation of Lovecraft's "Pickman's Model"Dylan HendersonThe Hell that You Create: Hellbound: Hellraiser II and the Limits of the Symbolic OrderBarbara GreeneElliptical Structures and Fantastic Times: Coltrane's "My Favorite Things" and Garc?a M?rquez's One Hundred Years of SolitudeGeoff Guevara-GeerGenre Infrastructure as Speculative Method in Latin America Patrick Anthony Barbosa BrockGender and Old Age as Sources of Empowerment: Tenar's Case in Ursula K. Le Guin's Earthsea SagaJon AlkortaREVIEWSTaryne Jade Taylor, Isiah Lavender III, Grace L. Dillon, and Bodhisattva Chattopadhyay's The Routledge Handbook of CoFuturismsRev. by Alexis Brooks de VitaYamile Saied M?ndez and Amparo Ortiz's Our Shadows Have Claws: Latin American Monster StoriesRev. by Jacob HibbardJohn Plotz's Ursula Le Guin's EarthseaRev. by Federico Palmieri di Pietro

  • av Jfa
    200,-

    Contents________________________________________IntroductionNewtrospection: Reverse-Engineering Modernity in South Korean Speculative FictionSang-Keun YooA Radical Future: Gender and Science Fiction in Contemporary Korean LiteratureJi-Eun LeeTwo Can Play This Squid Game: The Japanese Entanglements of South Korean Speculative FictionSe Young KimBecoming a Ghost: Newtrospective Representation of Historical Violence Through Virtual Reality Media in Gina Kim's BloodlessSang-Keun YooLife Reset: Resisting Gamified Life in South Korean Speculative WebtoonsSang Eun Eunice LeeDesign FictionExcerpts from an Anti-Standardized "¿¿": A Design-Fictional Approach to KoreaSeo-Young Chu"Genre Narratives Are Powerful Tools to Illustrate the Beauty of an Unfamiliar World": Haerin Shin's Interview with SF novelist Bo-Young KimTranslated by Sang-Keun Yoo"Those Left on Earth Are Equally Significant": Sang-Keun Yoo's Interview with Space Sweepers Director Sung-hee JoTranslated by Sang-Keun Yoo"This Inexplicable Complexity That Underscores Our Humanity": Sang-Keun Yoo's Interview With The School Nurse Files Director Kyoung-mi LeeTranslated by Sang-Keun YooREVIEWSCli-Fi, Noir, and The Nonhuman Subject in Netflix's The Silent Sea (2021)Rev. by Katrina Younes

  • av Jfa
    186,-

    Contents________________________________________Cybernetics and Ancillary Justice: Embodiment, Crisis, andResistanceRobert NguyenWronging Wrongs: The Haunting Transmotion of the EnchantedGothic in John Keats's LamiaHogan D. SchaakTransmissions from a Friend: Worlding and Unworlding CentralEurope with Ursula K. Le GuinEliza RoseTurning the Hinge: "Radical Fantasy," Magic, andEco-phenomenology in N. K. Jemisin's The Fifth Seasonand Laurie Marks's Fire LogicJulia DaSilvaREVIEWSJimmy Packham's Gothic Utterance: Voice, Speech and Death inthe American GothicRev. by Antonio Alcala GonzalezJeffrey Andrew Weinstock and Regina M. Hansen's Giving theDevil His Due: Satan and CinemaRev. by Erin GianniniFranz J. Potter's Gothic Chapbooks, Bluebooks and ShillingShockers, 1797-1830Rev. by Wesley Scott McMastersJames Craig Holte's Imagining the End: The Apocalypse inAmerican Popular CultureRev. by Aris MousoutzanisMatthew Schneider-Mayerson and Brent Ryan Bellamy's AnEcotopian LexiconRev. by Israel A. C. NolettoMichelle J. Smith and Kristine Moruzi's Young Adult GothicFictionRev. by Julia Round

  • av Jfa
    200,-

    ContentsSpecial Guests Issue ________________________________________The Bird in the Bush: Semipermeable Selfhood: ICFA 42 Guest of Honor Keynote SpeechNisi ShawlCurating Science Fiction in the 'Rainbow Age': A Discussion inSeveral Parts: ICFA 43 Guest Scholar KeynoteFarah MendlesohnDeep Sea Speculations: Science and the Animating Arts ofWilliam Beebe, Else Bostelmann, and John Wyndham: ICFA 42 Guest Scholar KeynoteStacy AlaimoConversations With Creatives: Interview with Neil Gaiman, Conducted by Novella Brooks de Vita online at VICFA 2022, "Building Inclusive Worlds and Global Representations in the Works of Neil Gaiman"TOO LATE/NOT TOO LATE: Jeff VanderMeer's Discussion with Alison Sperling at ICFA 42, "Climate Change and the Anthropocene"Healing Our Histories Through the Lens of Horror: Guest of Honor Plenary Address Online at VICFA 2022, "The Global Fantastic"Tananarive DueUtopianism After Utopia: VICFA 2022 Guest Scholar Keynote Bodhisattva ChattopadhyayREVIEWSTananarive Due, Steven Barnes, and Marco Finnegan's The KeeperRev. by Aaron Kashtan and Kevin Maroney

  • av Jfa
    186,-

    Contents________________________________________Images of Horror: Black Childhood as a Site of Resistance in Visual MediaSara AustinThe Emotion of Dread in Cinematic HorrorMatthias De BondtAtomic Art and the Ecological Perspectives of David LynchTodd TietchenHan Song's Weirdly Sublime Anti-ModernityRon JudyREVIEWSKevin J. Wetmore Jr.'s The Conjuring (Devil's Advocates)Rev. by Zachary DoironTison Pugh's Harry Potter and Beyond: On J.K. Rowling's Fantasies and Other FictionsRev. by Anna L?scherChristy Williams's Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless TalesRev. by Alexandra LykissasKyle A. Moody and Nicholas Yanes's Hannibal for Dinner: Essays on America's Favorite Cannibal on TelevisionRev. by Kathleen ShaughnessyLaurence Rickels's Critique of Fantasy, Vol 1: Between a Crypt and a Datemark, Critique of Fantasy, Vol 2: The Contest Between B-Genres, and Critique of Fantasy, Vol 3: The Block of FameRev. by Brian Willems

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