Considers the development of the pastoral in sixteenth-century Venice as an urban phenomenon specific to the lagoon. Studies Venetian urban gardens as actual places, imaginary spaces, and fantasies of urban planning challenged by ecological concerns.
Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection.
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