Böcker av Joel R. Campbell

Television's Second Golden Age: Politics and International Relations in the Era of HBO and Streaming TV examines the foremost series in the Second Golden Age of Television (1999-present), in terms of the political themes, theories, and issues expressed in major television genres. By using The Sopranos, Boardwalk Empire, The Wire, Breaking Bad, Mad Men, House of Cards, Battlestar Galactica, and Game of Thrones. Joel R. Campbell explains the nature of the Second Golden Age. He clarifies how the rise of quality television through premium cable television channels and later streaming services such as Netflix and Amazon have made it possible for television properties with deeper drama, long story arcs, and concentration on political and social issues. Each chapter analyzes a specific television series that aired or streamed since 1999, in terms constructivist political theory.

This book uses several fantasy movies or movie series and television series to explain political and international relations (IR) concepts and theories. It begins with an overview of the importance of fantasy in literature, film and television, and its increasing impact on the field of International Relations. It then presents the political, IR, and social issues in each franchise, and in five chapters uses these tales¿ key story arcs or plot points to illustrate major political and IR themes. The volume pays particular attention to such fantasy franchises as Lord of the Rings, Game of Thrones, the Harry Potter films, recent fairytale and children¿s stories, and female-led fantasy projects.

Movies and television series are excellent tools for teaching political science and international relations. Understanding how stories in various film and television genres illustrate political ideas can better assist students and fans understand and appreciate the political subtext of these media products. This book examines politics through five film genres and their variants. Gangster movies focus on American and other organized crime. They reached their zenith in the films of Francis Ford Coppola and Martin Scorsese. Political thrillers express paranoia about secrecy and political conspiracies, while action movies channel anger at foreign and domestic threats to order. Superhero films and TV present modern characters who seek to serve society as they face personal struggles about their individual identities. War movies promote positive images of wars when conflicts are perceived as successful, but often include antiwar messages when wars turn out badly. Western movies fell out of favor in the 1970s and 1980s but have undergone a renaissance since the 1990s. Westerns can be taken as either political parables, or as meditations on policing, anarchy, community organization. The author argues that while these genres all offer escape, they also offer important political lessons.

This book examines politics in terms of space fiction, international relations and theory, using the Star Wars and Star Trek television and movie franchises to illustrate these dimensions.