Not much remained to be said about Racine as a dramatic artist, but as one brought up to consider Shakespeare as the model of tragedy, the author brings a fresh approach to a dramatist who has been to a great extent a Gallic monopoly.
Professor Lapp now makes an important contribution to this recent work on Zola. In making his examination Professor Lapp has been interested in determining whether certain patters of plot, character, situation, and image which occur constantly throughout the Rougon-Macquart were present also in the works prior to 1870.
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