Böcker av John McGahern

Moran is an old Republican whose life was forever transformed by his days of glory as a guerilla leader in the War of Independence. Now, in old age, living out in the country, Moran is still fighting - with his family, his friends, even himself - in a poignant struggle to come to terms with the past.'A masterpiece.' John Banville'John McGahern is the Irish novelist everyone should read.' Colm Toibin'It is compact but not dense, spare yet rich, and brimming with tension.' Observer'An overwhelming experience.' The Times'McGahern brings us that tonic gift of the best fiction, the sense of truth - the sense of transparency that permits us to see imaginary lives more clearly than we see our own.' John Updike'One of the greatest writers of our era.' Hilary Mantel, New Statesman

John McGahern did not spread himself thinly as a writer. Nearly all of his creative energy went into what was central for him: the great novels and stories that are now part of the canon of Irish and world literature. Yet he spoke out when he felt he had something worth saying and his non-fiction writings are of great interest to anyone who loves his work, and to all those interested in the recent history of Ireland. This book brings together all of McGahern's surviving essays, reviews and speeches. In them his canon of great writers - Tolstoy, Chekhov, James, Proust and Joyce - is cited many times, with deep and subtle appreciation. His discussions of Irish writers who influenced him are generous and brilliant - among them Michael McLaverty, Ernie O'Malley and Forrest Reid. His interventions on issues he felt strongly about - sectarianism, women's rights, the power of the church in Ireland - are lucid and far-sighted.

'Marvellous.' Susan Hill, The TimesElizabeth Reegan, after years of freedom - and loneliness - marries into the enclosed Irish village of her upbringing. The children are not her own; her husband is straining to break free from the servile security of the police force; and her own life, threatened by illness, seems to be losing the last vestiges of its purpose. Moving between tragedy and savage comedy, desperation and joy, John McGahern's first novel is one of haunting power.'The details are evoked with a scrupulous yet enhancing accuracy that reminds one of the young Joyce. He is astonishingly successful in penetrating the mind of a mature woman confronted with pain and death. Mr McGahern is the real thing.' Spectator

The Dark, John McGahern's second novel, is set in rural Ireland. The themes - that McGahern has made his own - are adolescence and a guilty, yet uncontrollable sexuality that is contorted and twisted by both a puritanical state religion and a strange, powerful and ambiguous relationship between son and widower father.Against a background evoked with quiet, undemonstrative mastery, McGahern explores with precision and tenderness a human situation, superficially very ordinary, but inwardly an agony of longing and despair.'It creates a small world indelibly and without recourse to deliberate heightening effects of prose. There are few writers whose work can be anticipated with such confidence and excitement.' Sunday Times'One of the greatest writers of our era.' Hilary Mantel, New Statesman

That They May Face the Rising Sun was the last novel from John McGahern, one of Ireland's greatest novelists. Joe and Kate Ruttledge have come to Ireland from London in search of a different life. In passages of beauty and truth, the drama of a year in their lives and those of the memorable characters that move about them unfolds through the action, the rituals of work, religious observances and play. We are introduced, with deceptive simplicity, to a complete representation of existence - an enclosed world has been transformed into an Everywhere.

Presents a dark and powerful play for television that concerns a Nationalist teacher whose attempt to prevent his pupils beating at a pheasant shoot held in honour of the British Ambassador leads to a shockingly violent incident.

Paul King, an Irish landowner, is dying; When he dies, his handsome young workman Paul is urged by a cunning mother to move in on the vulnerable young widow. The Power of Darkness reflects a fallen world. sexual ignorance and the old fear of famine lead to irrational greed, coupled with the need for redemption.