Böcker av John Osborne

Photographic innovators at home in nineteenth-century Quebec and abroad, Charles and John Smeaton have flown beneath the radar in studies of the history of photography in Canada. Out of the Studio is the first comprehensive biographical study detailing the innovation and imagination of the Smeaton brothers' legacy of images in Canada and Europe.

My Car Plays Tapes is a tale of captivating storytelling, focusing on John Osborne's life as a support worker and a nostalgic look at what happens when you listen to old tapes from the 1990s.

On the far side of the Milky Way galaxy, theapathetic alien company, the Nexus Conglomerate, has a corporate stranglehold onthe sector. Hosting "product tests" on their gargantuan space station known asthe Hypodrome, Nexus found a way to combine entertainment, advertising, andproduct demonstration at the expense of the testers - gladiator guinea pigs,snatched from under-developed planets to be used as fodder by their variousalien handlers. Enter our champion, Frankenaut - A reanimatedbeing with the mind of a beach bum and the grace of a professional wrestler.Frank holds the current survival record of the Nexus product tests, and hismassive fan base grows with each hair-raising victory. Join Frank, his cyborg-bestie Bud, and theirrigid alien boss BK, as Frank''s journey takes him from battling giant alienrobots to enduring predatory alien worlds. Frankenaut Volume 1 brings clues toour bodacious hero''s past, and sets the stage for the continued adventures ofthe ghoulish colossus! As the Nexus Conglomerate corporate taglinesays, "Purchase, and Prosper."

This book addresses a critical era in the history of the city of Rome, the eighth century CE. This was the moment when the bishops of Rome assumed political and administrative responsibility for the city's infrastructure and the physical welfare of its inhabitants, in the process creating the papal state that still survives today. John Osborne approaches this using the primary lens of 'material culture' (buildings and their decorations, both surviving and known from documents and/or archaeology), while at the same time incorporating extensive information drawn from written sources. Whereas written texts are comparatively few in number, recent decades have witnessed an explosion in new archaeological discoveries and excavations, and these provide a much fuller picture of cultural life in the city. This methodological approach of using buildings and objects as historical documents is embodied in the phrase 'history in art'.

During the late nineteenth century a remarkable combination of circumstances and individual talents permitted the Court theatre of a small German state to become the theatrical sensation of its age. The Meiningen Court Theatre developed into an international touring company under the leadership of Duke Georg II of Saxe-Meiningen.

When John Osborne died at Christmas 1994, his obituaries cited his autobiographical writings as perfect examples of undiluted talent and acerbic wit. Now, Osborne's superb autobiographies, A Better Class of Person: 1929-1956 and Almost a Gentleman: 1955-1966 (winner of the J. R. Ackerley Prize), are available for the first time in one volume, Looking Back.'A brilliant, funny, melancholy and acrimonious book of memoirs . . . Almost every page confirms that his powers as an elegist, definer of the Zeitgeist and master of unforgiving disgust remain undimmed.' ObserverThis volume also contains 'Bad John', a review by Alan Bennett of A Better Class of Person, and David Hare's eulogy for John Osborne at the memorial service for Osborne in 1995.

In 1956 John Osborne's Look Back in Anger changed the course of English theatre.'Look Back in Anger presents post-war youth as it really is. To have done this at all would be a significant achievement; to have done it in a first play is a minor miracle. All the qualities are there, qualities one had despaired of ever seeing on stage - the drift towards anarchy, the instinctive leftishness, the automatic rejection of "e;official"e; attitudes, the surrealist sense of humour . . . the casual promiscuity, the sense of lacking a crusade worth fighting for and, underlying all these, the determination that no one who dies shall go unmourned.' Kenneth Tynan, Observer, 13 May 1956'Look Back in Anger . . . has its inarguable importance as the beginning of a revolution in the British theatre, and as the central and most immediately influential expression of the mood of its time, the mood of the "e;angry young man"e;.' John Russell Taylor

In 1956 John Osborne's Look Back in Anger changed the course of English theatre. This volume includes some of the early plays which launched his career along its startling trajectory, as well as his much later play, Dejavu, which brings us Look Back in Anger's Jimmy Porter thirty-five years on, older and wiser, but no less indignantly eloquent.

This play about the life and work of a second-rate music hall comic (brilliantly created by Sir Laurence Olivier in the original production) and staged only eleven months after the opening of Look Back in Anger, secured John Osborne's reputation and has become a classic of 20th century drama.

A completely fresh insight into the mind of one of the UK's greatest playwrights, the letters between John Osborne and his first wife, actress Pamela Lane, are also a love letter to a now defunct system of repertory theatre, and life in post-war Britain.

In 1950, St Peter''s College, Saltley celebrated its centenary. The occasion was marked with a number of events, one of which was the publication of this book. A lively mixture of history and anecdote, it not only tells the story of the first hundred years of the College, but also offers something of the flavour of life at a much-loved establishment - the dedication of the staff, the humour of the students, and the sacrifices they all made in pursuit of their chosen profession and the protection of their country.

Archie Rice is a failure as a comedian. News of his son's death while on military service arrives as the family is anticipating his return with a party. Archie tries to stage a comeback for his befuddled, has-been father who, mercifully, dies in the attempt. A prosperous brother offers to send the family to Canada but Archie cannot leave the decaying world of the music hall, where he is at home.-3 women, 5 men

Based on the true story of the last man to stand trial for blasphemy in England, A Subject Of Scandal And Concern was originally written for television in 1960 starring Richard Burton and Rachel Roberts. This production marks the first theatrical staging of the play in over 40 years and its long overdue London premiere.

I can't escape it. I can't forget it. And I can't begin again.Bill Maitland, a middle aged lawyer, struggles to avoid the harsh truths of his life. As those closest to him draw away, he puts himself on trial to fight for his sanity. John Osborne's poignant, witty and compelling portrait of loss, betrayal and defeat releases the author's characteristic display of soaring rhetorical venom to powerful effect. First performed at the Royal Court Theatre in 1964, Inadmissible Evidence received a major revival at the Donmar Warehouse, London, in October 2011.'This is a work of stunning and intemperate power, a great bellow of rage and pain... there is a self-lacerating honesty about his writing that few other playwrights have come close to matching.' Daily Telegraph

This third collection of John Osborne's dramatic work includes three classic plays for the stage which confirm his reputation as one of the greatest British playwrights of the twentieth century.

The story of a man who preserves his youth while his portrait visibly deteriorates with time.

John Osbourne answers some difficult questions in Gerhart Hauptmann and the Naturalist Drama, a revised and updated version of his The Naturalist Drama in Germany, now widely acknowledged as the standard introduction to the subject.