Böcker av John Strachan

In this thought-provoking work, John Strachan addresses the topic of emigration from the United Kingdom. Written in the early 19th century, Strachan makes a passionate case for emigration as a solution to economic woes, and addresses the concerns and objections of opponents to the idea.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Poetry: An Introduction is an accessible and clearly written introduction to the structural and methodological principles underpinning poetry and its study. It aims to equip the student, researcher, and general reader with a body of technical information that will sharpen and deepen their engagement with individual poems. Strachan and Terry provide a lively map through what might on first experience seem the most daunting aspects of poetry: poetic sound effects, rhythm and meter, the typographic display of poems on the page, the language of poetry, and the use made by poets of techniques of comparison and association. The book's discussion of poetic terminology is allied throughout to illustrative readings that show the usefulness of the terminology in approaching particular poems; its emphasis is always a practical one, demonstrating how poems actually work. Beginning with an historical overview of the development of English poetry from its earliest origins and finishing with an authoritative dictionary of poetical terms, Poetry: An Introduction is an indispensable guide to the understanding of poetry.

Quickly equips readers with the strategies to understand and deepen their engagement with individual poemsPraise for the first edition: 'Wide-ranging, provocative, and thorough, Strachan and Terry provide the student with all the tools necessary for the study of poetry. I can think of no other volume that offers the reader so much in so few pages. This is the text of choice for all students and teachers of the subject.'Duncan Wu, University of Glasgow Based on their extensive teaching experience, the authors provide a lively route map through the main aspects of poetry such as sound effects, rhythm and metre, the typographic display of poems on the page and the language of poetry using practical examples throughout. o Packed full of examples, from the work of Shakespeare to Edwin Morgan and from Sylvia Plath to John Agardo Detailed index of poets, works, terms, forms & conceptso Full glossary of poetic terms, from /acatalectic/ to /wrenched accent/, with cross-references and page references of examplesNew for this edition:o End-of-chapter exercises and follow-up research taskso New readings of modern women's poetryo Section on How to Write Poetry with exerciseso Suggestions for further reading - both books and websites

Key Concepts in Romantic Literature is an accessible and easy-to-use scholarly guide to the literature, criticism and history of the culturally rich and politically turbulent Romantic era (1789-1832). The book offers a comprehensive and critically up-to-date account of the fascinating poetry, novels and drama which characterized the Romantic period alongside an historically-informed account of the important social, political and aesthetic contexts which shaped that body of writing. The epochal poetry of William Wordsworth, William Blake, Mary Robinson, S. T. Coleridge, Charlotte Smith, P. B. Shelley, Lord Byron, John Keats, Felicia Hemans and Letitia Elizabeth Landon; the drama of Joanna Baillie and Charles Robert Maturin; the novels of Jane Austen and Mary Shelley; all of these figures and many more are insightfully discussed here, together with clear and helpful accounts of the key contexts of the age's literature (including the French Revolution, slavery, industrialisation, empire and the rise of feminism) as well as accounts of perhaps less familiar aspects of late Georgian culture (such as visionary spirituality, atheism, gambling, fashion, music and sport). This is the broadest guide available to late eighteenth and early nineteenth-century British and Irish literature, history and culture.