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  • av John Weir
    236,-

    This book is a sermon given by John Weir on the topic of the Christian Sabbath and the New Crystal Palace. The book explores the relationship between these two topics and argues that the Christian Sabbath is an essential part of a Christian's life. It is a thought-provoking read for anyone interested in the intersection of Christianity and modernity.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • av John Weir
    526 - 820,-

  • av John Weir
    250,-

    Set in a rapidly gentrifying New York City determined to move beyond the decimation of a generation a decade earlier, What I Did Wrong is a day in the life of Tom, a forty-two-year-old English professor, haunted by the death of his best friend, Zack, who died theatrically and calamitously of AIDS. Tom himself slouches gingerly and precariously into middle age questioning every certainty he had about himself as a gay man while negotiating the field of his college classes, populated as they are with guys whose cocky bravado can't quite compensate for their own confused masculinity. Tom tries to balance his awkwardly developing friendships with them. In the process, he begins to find common ground with these proud young men and, surprisingly, a way to claim his own place in the world, and in history.A powerfully moving-and often disarmingly funny-book about loss, character, and sexuality in the wake of AIDS, What I Did Wrong is a survivor's tale in an age when all certainties have lost their logic and focus. It is a romance that embraces its objects from the traumas of toxic masculinity to the aftermath of catastrophic loss amidst the enduring allure of New York City in all its manic and heartbreaking grandeur.

  • av John Weir
    186,-

    John Weir, author of The Irreversible Decline of Eddie Socket, a defining novel of 1980s New York in its response to the global AIDS crisis, has written a story collection that chronicles the long aftermath of epidemic death, as recorded in the tragicomic voice of a gay man who survived high school in the 1970s, the AIDS death of his best friend in the 1990s, and his complicated relationship with his mother, a movie star without a movie to star in, whose life is winding to a close in a retirement community where she lives alone with her last dog.

  • av John Weir
    250,-

    Before the onset of his irreversible decline, Eddie Socket always suspected he was on the verge of something. Now that ¿something¿ has arrived in the form of Merrit Mather, an attractive older gentleman of impeccable taste in everything from sweaters to his numerous sexual conquests. That Merrit happens to be the lover of Eddie¿s agitated boss, Saul, hardly fazes the smitten Eddie; that the elusive Merrit loses interest in Eddie with dizzying speed hardly dims his ardor. While Eddie continues his futile chase, he finds solace in his roommate, Polly, involved in her own implausible affair with a self-involved banker. Both Eddie and Polly eventually conclude that solitude is their best option. But even that is not possible as Eddie finds his life taking an unexpected turn¿a turn that that serves as the catalyst for Eddie, love-ravaged Polly, and the indomitable Saul to reclaim their lives.First published in 1989 and winner of the 1990 Lambda Literary Award for Best Gay Debut Novel, The Irreversible Decline of Eddie Socket is one of the first novels to respond to the global AIDS crisis. A comedy of absurdist horror, it weaponizes the comic as a way of intensifying the tragic aspects of AIDS, which were especially acute in the early 1980s, and the scars of which are still visible today.

  • - Its origin, progress, and fruit. With notes of a tour of personal obersvation and inquiry
    av John Weir
    450,-

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