Böcker av Jonathan Wells

"Benjamin and Dita Stern are seasoned New Yorkers whose life in the pre-war, Upper East Side building Benjamin's grandfather built has settled into stasis--two children no longer at home, professional lives never fully realized. Then Benjamin's brash younger brother Spence, founder and CEO of the hearing aid company Belphonics, asks him to collaborate on a new product line inspired by the brothers' rock-and-roll youth at CBGB--the club where, Spence believes, his hearing was permanently damaged. If the idea works, it might salvage Benjamin and Dita's tenuous financial position. Yet they both know that getting involved in Spence's schemes comes at a high price. That same evening, with the Sterns' daughter Alessandra over for dinner, Benjamin's news is upstaged by the startling appearance of their son, Giorgio, whose violent adolescent behavior resulted in his being sent away for most of high school. Now seventeen, he is adrift and still a very troubled young man. As Benjamin and Dita reckon with their parental choices, Giorgio takes the reins of his own story, and we learn not only that his name is not, in fact, Giorgio, but also the extent to which all the Sterns share some measure of responsibility for his plight. A funny and deeply felt debut novel from poet and memoirist Jonathan Wells, The Sterns Are Listening explores a family on the verge of both collapse and regeneration. Brimming with affection for its troubled characters and the troubled city they call home, the novel traces a courageous path to the deeply uncomfortable heart of the matter, one that just might lead to redemption."--

Vogue's Best Books of Summer 2021 "Everyone had a clearer vision of my body than I did. It didn't feel as if my body was really mine..." At age fourteen, Jonathan Wells weighs just sixty-seven pounds, triggering a scrutinizing persecution of his body that will follow him into adulthood. Upstate New York in the 1970s: A boy in preparatory day school suffers a harrowing attack by a teacher offended by his failure to put on weight. For the first time in his young life, Jonathan Wells is forced to question his right to take up space in the world. Jonathan's father, reading his weight as a clear and deeply concerning deficit of masculinity, creates a workout regimen meant to bulk him up. When that doesn't help, he has Jonathan seen by a slew of specialists, all claiming he is in perfect health, and yet the problem cannot be denied: the boy is simply too skinny. Jonathan's complicated relationship with his charming but elusive mother does not help matters. As the eldest son, he is privy to the struggles of a fraying marriage in which he, unwittingly, plays a divisive role. As a result, Jonathan is sent to boarding school in Switzerland, where he manages to establish an identity of his own among the child exiles and outcasts that make up the student body. And yet, his father's obsession follows him to Europe, threatening to destroy the space he has painstakingly won for himself. The critically acclaimed poet and author of the collection Debris, Jonathan Wells gives us a candid, powerful, and quietly humorous memoir about the universal exploration of adolescence and self-image, the frailty of masculinity, and all the places we seek comfort in a world that tries to define us.

"e;The poets who fill these pages have come to testify, to bear witness to the mysterious power of Rock and Roll. -- from the Foreword by Bono "e;The thread or the theme That holds this tune Together is the same One that rips it open...."e; -- from Gimme Shelter by Bill Knott "e;Chunky on the shag rug, I'm looking for my anthem, I'm looking for my headphones, I'm looking for the bare spot on the rug to wallow, side-stepped on the chair-stopped door. I blast my ears out."e; -- from The Prophet's Song by Daniel Nester "e;Drums, Whatta lotta Noise you want a Revolution? Wanna Apocalypse? Blow up in Dynamite Sound?"e; -- from Punk Rock You're My Big Crybaby by Allen Ginsberg As revolutionary as the music it celebrates, the poetry in this electrifying anthology -- by poets such as Billy Collins, Rita Dove, Yusef Komunyakaa, Paul Muldoon and Philip Larkin -- turns rock upside down with indelible images and powerful expressions of the music that changed our lives.

With a fresh interpretation of African American resistance to kidnapping and pre-Civil War political culture, Blind No More sheds new light on the coming of the Civil War by focusing on a neglected truism: the antebellum free states experienced a dramatic ideological shift that questioned the value of the Union.