Böcker av Julie Campbell

There's a new face in Sleepyside, and Trixie Belden is sure this stranger is up to no good. Too bad no one else believes her. But if anyone get can to the truth of this visitor's true motives, it's detective Trixie!Trixie Belden hasn’t talked to Diana Lynch in a long time—not since her family got incredibly rich…and snobby. But when Trixie and her best friend, Honey, spot Diana looking a little down, Trixie knows it is time to put old grievances in the past.Except the past is exactly the problem for Diana. Her long-lost uncle Monty recently arrived from Arizona, and Diana is less than thrilled about the reunion. Monty insists on hosting lavish parties, he won’t stop pulling pranks, and he embarrasses Diana in front of all of her friends.Trixie isn’t impressed either. Monty may have fooled all of the adults, but his timing seems too good to be true. But can Trixie prove Uncle Monty is an imposter—or will Di be the one who is sent packing?

Trixie Belden and her best friend Honey are exploring an old gatehouse when they unearth a diamond hiding in the dirt. Has a jewel thief come to Sunnyside? No secret can stay buried long when detective Trixie Belden is on the case!Trixie Belden loves to investigate, and this time, she and her best friend, Honey, have their sights set on the old run-down gatehouse. No one has touched the building in years, making it the perfect headquarters for their new detective agency. But far more than cobwebs and dust wait inside because buried in the dirt, the girls discover…a diamond!How could anyone have forgotten such a precious jewel? Trixie is convinced a thief walks among them. And when a few workers suddenly join the staff at Honey’s manor house, Trixie has her prime suspects.This amateur still has a lot to learn about sleuthing, though. If Trixie can’t stop attracting attention, the jewel thief just might set their sights on her.

Trixie Belden's best friend Jim ran away before anyone could tell him that he is the heir to a major fortune. Secrets shift into high gear when Trixie and her friends set off on a road trip to find Jim--and uncover another mystery along the way!When Trixie Belden’s friend Jim runs away, she and her neighbor Honey jump in an RV and hit the road. Someone has to tell Jim he inherited a fortune—but he needs to be around to claim it!Unfortunately, Trixie and Honey’s troubles are only beginning. The girls learn there’s been a string of break-ins to campervans, making travel more dangerous than ever. What’s worse, a young girl named Joeanne has disappeared into the woods, leaving her family and their shiny red trailer behind. Trixie and Honey worry that Joeanne could be in danger—and the fear only grows as the car bandits get more bold. The race is on to Jim and Joeanne and untangle the mystery of the road trip thieves before the burglars hit the brakes on Trixie’s adventure once and for all.

This study of ludic literary society in sixteenth-century France addresses Italianate practices of philosophical and literary sociability as they took root there. It asserts that entertainment activities of women-led circles illustrate the richly complex precursors of the seventeenth-century salons. Notions from the philosophy of play, such as those developed by Johan Huizinga, Eugen Fink, and Roger Caillois, who argue that play is critically intertwined with the development of society, provide a theoretical path across these periods of women's engagement in literary culture. The barrister Estienne Pasquier, whose voluminous network of literary and legal connections permitted him entry into the society of such women, acts as an eyewitness to sixteenth-century circles. Ultimately, we see that the ludic activities in such society produced powerful influences that extended beyond the confines of the groups in question to shape ideas, attitudes, and activities--such as those of the salon cultural norms to come.

A poetry memoir telling the story of my childhood and digging deep into the traumatic events. Each poem is a snapshot in time taking you back to how a child views chaotic moments. Through all of it, she kept going forward.

A comparative analysis, this study examines the interactions of early modern male and female writers within the context of literary circles. In particular, Campbell examines how the querelle des femmes as a discursive rhetorical tradition of praise and blame influenced perceptions of well-educated women who were part of literary circles in Italy, France, and England from approximately 1530 to 1650. To gain a better sense of how querelle language and issues were used for or against learned women writers, Campbell aligns selected works by female and male writers, pairing them to analyze how the woman writer responds, deflects, or rewrites the male writer''s ideological script on women. She focuses first on the courtesan Tullia d''Aragona''s response in her Dialogo della infinità di amore to Sperone Speroni''s Dialogo di amore, and contrasts the actress/writer Isabella Andreini''s pastoral La Mirtilla with Torquato Tasso''s Aminta. She then discusses the influence of Italian actresses upon the manners and mores of French women of the Valois court, especially focusing on performative aspects of French women''s participation in court and salon rituals. To that end, she examines the influential salon of the aristocratic, learned Claude-Catherine de Clermont, duchesse de Retz, who encouraged the writing of positive querelle rhetoric in the form of Petrarchan, Neoplatonic encomiastic poetry to buttress her reputation and that of her female friends. Next, Campbell reads Louise Lab D‘t de Folie et d''Amour against Pontus de Tyard''s Solitaire premier to illustrate the tensions between a traditional and nontraditional querelle stance. She then discusses Continental influence upon English writers in the context of the Sidney circle in England. Moving to the closet dramas of the Sidney circle, Campbell examines the solidarity these writers demonstrated with nontraditional stances on querelle issues, and, finally, she explores how three generations of English literary circles con

Julie Campbell Tatham (1908-1999) was an American writer of children's novels, who also wrote for adults. As Julie Campbell she created the Trixie Belden series and the Ginny Gordon series. Ginny Gordon and the Mystery at the Old Barn is the third in the series.