In a series of new paintings, renowned artist, Alison Watt, offers her response to 18th-century Scottish artist Allan Ramsay's wonderful painting of his wife.
Presents an argument that a fresh ontological perspective is required to address fundamental issues in housing and comparative research. This book evaluates ontological and methodological alternatives; provides historical case studies; and, compares the causal tendencies that explain diverging housing pathways in Australia and the Netherlands.
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