The authors look closely at both the cultural phenomenon of stand-up comedy and theories of humor, asking what preachers can learn from both. Divine Laughter brings the task of preaching into conversation with both the comedic parts of the Bible and the theological parts of the comedic in order to bring a new kind of life to preaching.
Although the Psalms of Asaph (Pss. 50, 73?83) contain a concentration of historical referents unparalleled in the Psalter, they have rarely attracted sustained historical interest. Karl N. Jacobson identifies these Psalms as containing cultic historiography, historical narratives written for recitation in worship, and explores them through mnemohis
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