Starting with one of the best-known poems in the American canon, William Carlos Williams' 'This is Just to Say, ' Kate McLoughlin adopts and transposes Picasso's template for re-imagining Velázquez's Las Meninas onto both Williams' poem and the history of the Velázquez painting. The result is 58 variations - short poems that embody both Williams' pithy wit and the mystery of Picasso's 58 adaptations of Las Meninas; where Picasso's paintbrush transforms Velázquez's muted tones to bold colours, McLoughlin's 'I' says of Williams' Plums, 'They are the last things you'll take of mine.' 'Plums' is a tour de force of transformation, an example of how compelling art can emerge from a chrysalis of absurdity.
St. Louis-born Martha Gellhorn (1908-98) was the doyenne of twentieth century war correspondence. In this first critical study of her Second World War fiction and journalism, Kate McLoughlin makes the connection between Gellhorn's intrepid progress through the war zone and her textual construction of the woman war reporter. -- .
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