The essays in this book, first published in 1975, suggest how best to approach Beckett, how to read him, how to get closer to the concrete experience offered by this most concrete of writers. It aims to bring out the full diversity of Beckett's art as dramatist and story-teller.
This is part of a series of books that explores the work of dramatists. This book looks at Sheridan and Goldsmith's comedies, showing how they operate on a profound imaginative level. The dramatist's techniques are examined in relation to physical features of the 18th-century stage.
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