Cadernos Ultramares seeks to present Brazilian culture and thought in a qualified way, through volumes bringing together important essays by renowned authors in different areas of knowledge. By analyzing the quasi cinema of Hélio Oiticica and Neville de Almeida in the proposition of Cosmococas, and their dialogue with current transcinemas, poet and critic Katia Maciel creates an important reflection on the possibilities of reinvention around the seventh art.
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