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  • av Kevin J. Hayes
    1 216,-

    Details Lawrence's reception of Melville and reveals his underacknowledged role in the Melville Revival, while contributing to the history of the book and the study of the creative process.How Lawrence Read Melville is a highly focused account of D. H. Lawrence's discovery and reception of Herman Melville, from when he first read Moby-Dick as a young man to his final references to Melville in his late works. It shows Lawrence's initial reaction to Moby-Dick; how it led him to other works by Melville, namely Typee and Omoo; and how Melville affected Lawrence's critical and creative writing and shaped his philosophy.This book is a study of the creative process that shows how one great writer inspired another, but it also makes a major contribution to the history of the book and two of its subfields: the history of reading, and reception studies. By his death in 1891, Melville had been forgotten except by a small circle of English enthusiasts. That group put Lawrence onto Melville, whereupon he became a - until now largely unacknowledged - leader of the Melville Revival that rescued the great writer from obscurity. This Swiss army knife of a book will appeal to scholars and booklovers alike.

  • av Kevin J. Hayes
    240,-

    The action-packed life of the polymath and 'First American', Benjamin Franklin.

  • av Kevin J. Hayes
    290,-

    In 1887 a twenty-one-year-old newspaperman named George Nellis (1865-1948) rode a bicycle from Herkimer, New York, to San Francisco in seventy-two days, surpassing the transcontinental bicycle record by several weeks. This book deals with his works.

  • av Kevin J. Hayes
    406,-

    More than a century ago, George B. Thayer took his own first "century", or one-hundred-mile bicycle ride. The Two-Wheeled World of George B. Thayer brings to life the experience of late nineteenth-century cycling through the heartfelt story of this important cycling pioneer.

  • av Kevin J. Hayes
    570,-

    This study focuses on Melville's immersion with and borrowing from oral traditions: both music and narrative; tall-tale humour; nautical folklore; superstition; and legend. It also acts as a general introduction to Melville's work.

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