In this groundbreaking book one of the most original and compelling voices in contemporary Shakespeare criticism undertakes a detailed study of the extraordinary comedies Shakespeare wrote during his first decade as a dramatist. Lively and readable, Ryan lets each play speak for itself, transforming our understanding of Shakespearean comedy.
Looks at the diversity of the latest feminist, post-structuralist and new historicist accounts of "King Lear". The contributors include Stephen Greenblatt, Terry Eagleton, Annabel Patterson and Jonathan Goldberg.
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