Critics often characterize white consumption of African American culture as a form of theft that echoes the fantasies of 1950s-era bohemians, or "White Negroes," who romanticized black culture as anarchic and sexually potent. The author claims such a view fails to describe the varied politics of racial crossover over the years.
Analyzes contemporary texts that bond together two seemingly antithetical sensibilities: the sentimental and the postmodern. This book presents case studies of audience responses to ""The Piano"", ""Kiss of the Spider Woman"", and ""Northern Exposure"". It argues that sentimental postmodernism deepened leftist political engagement.
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