Multilingually inflected, Klara du Plessis' first collection of poetry explores the multiplicity of self through language, occupying a liminal space between South Africa and Canada. A sequence of visceral, essay-like long poems, du Plessis' writing straddles the lyrical and intellectual, traversing landscapes and fine arts canvases. Ekke is a watershed debut from one of Canada's most exciting young voices.
In her second collection of poetry, Hell Light Flesh, Klara du Plessis returns with a Dantesque trilogy on family, punishment, and the ferocity and brilliance of creation. Hell Light Flesh drops the reader into a narrative claustrophobically entwined in unquestioned systemic violence where art and art criticism act as a consistent glimmer of hope. Over and over, the poem lends itself to allegory, and yields to layers of interpretation. Hell Light Flesh is mandatory reading for devotees of the long poem and fans of du Plessis' thrilling brand of essayistic poetry alike.
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