VOLUME 3: I. Ending to Dr. Faust II. Definitive version of the Fantasia Contrappuntistica for two pianos III. Concerto for Orchestra: Completion and orchestration of the Fantasia Contrappuntistica.
VOLUME 1: Busoni and the piano: The works, the writings, and the recordings.
Soviet and Russian music of the first third of the 20th century--with the exception of the music of a few high-profile composers who were officially sponsored by the State--is still largely unexplored territory, known only to a few specialists.
Presenting a view of the 20th-century music avant-garde without resorting to highly specialized jargon, this work offers an exhaustive history and analysis of contemporary music in a social, political, and artistic context.
This is the first book to comprehensively cover all of the Australian piano music of the 20th century.
Anton Rubinstein, a seminal figure in Russian music, was not only a great pianist but also a monumental influence in Russian music education.
?This volume is decidely a labor of love.... The work is not merely a catalog of all the piano compositions (solo, four hands, two pianos, piano and orchestra, arrangements, transcriptions, hybrid works, unpublished works) as the title might imply, but a vast descriptive, critical, and sometimes analytical essay. The splendid, many-faceted treatment was almost necessary if the author were to fulfill his aim to throw some light on Busoni's thought processes as a composer and performer and to interest pianists in performing Busoni, ' He thus treats many areas of the composer's work, such as his theory of notation, his compositional growth, etc. Essential for academic music collections.?-Library Journal
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