Considers the broad spectrum of influential German films made between the world wars. This title investigates important themes in films from this period, including the portrayal of women and the role of sound.
By interrogating the most basic ideas of narrative and reality and rejecting classical cinematic ideals, Dutch artist Aernout Miks creates works that are rich in allusion but subversive of codes. This title explores Miks work and process. It discusses the creative aspects of Miks installations that extend the traditional boundaries of media.
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