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Böcker av Laurence Senelick

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  • av Laurence Senelick
    510,-

    "This anthology brings together key plays from the Crooked Mirror, a leading Silver Age Russian cabaret, with short biographies of their authors and robust commentary and annotations to trace the theater's artistic and ideological evolution"--

  • av Laurence Senelick
    480 - 1 490,-

  • av Laurence Senelick
    200,-

  • - The Life and Art of Mikhail Shchepkin
    av Laurence Senelick
    1 436,-

    ?Laurence Senelick's biography of Shchepkin is well-researched and well-written. He has a good grasp of the period. This is not just the biography of an actor, but a fascinating work of social history. Senelick makes a convincing case for the imporatnce of Mikhail Shchepkin to the history of the performing arts and literature.?-Broadside

  • - Sex, Drag and Theatre
    av Laurence Senelick
    730 - 1 860,-

    The Changing Room traces the origins and variations of theatrical cross-dressing through the ages and across cultures. This is the first-ever cross-cultural study of theatrical transvestism.

  • av Laurence Senelick
    766,-

    The A to Z of Russian Theater is the only reference work in English devoted exclusively to Russian theater and drama. It provides information on the popular plays and playwrights while also offering information on many persons, works, and phenomena omitted from standard encyclopedias. Through the use of a chronology, an introductory essay, a bibliography, an appendix, and hundreds of cross-referenced dictionary entries on directors, stage designers, actors, plays, playwrights, concepts, theater buildings, and troupes, this reference provides an unrivaled account of Russian theater.

  • av Laurence Senelick
    2 236,-

    This second edition of Historical Dictionary of Russian Theater covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography.

  • - A Reconstruction
    av Laurence Senelick
    1 000,-

    "Senelick has painstakingly pieced together the amazing story of how [the Moscow Art Theatre's production of Hamlet] came about, and combines it with a detailed, scene-by-scene reconstruction of the unfinished product.' ... He makes use of what would seem to be every possible primary source, Russian and English.... In the end, Senelick does more than reconstruct' Craig's Moscow Hamlet. He shows how, despite its central flaw, it became the standard from which to deviate. Until now the material necessary to unshroud the legend has been scattered all over Europe. Senelick has gathered it into an exemplary, illuminating study."-Theatre Journal

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