Böcker av Lavinia Greenlaw

Lavinia Greenlaw's Selected Poems provides a timely retrospective on thirty years of highly distinctive poetic output. The selection draws on five collections to date and from her free translation of Troilus and Criseyde.

The place I went to when I could not speak was also where my voice came from.Part memoir, part manifesto, Some Answers Without Questions is a rigorous and lyrical work of self-investigation. Lavinia Greenlaw sets out to explore the impulse to say something, to write or sing, and finds herself confronting matters of presence and absence, anger and speechlessness, authority and permission. The result is important and timely, a spirited and vital exploration of what enables anyone - but a woman and an artist in particular - to create and respond even when not invited to do so. Some Answers Without Questions is the result of decades of answering questions that don't really matter - and not being asked the ones that do.

The Built Moment explores what we build out of the provisional: beginnings and endings, arrivals and departures, and the moments we fix as memories, fixing too their joy and pain.

In the City of Love's Sleep reveals love in all its inscrutable complexity: the raw nature of feeling and its uncontrollable, inconsistent, unsettling truths.

One of the most prestigious awards for the short story has reached its eleventh year. Hugely successful, the BBC National Short Story Award, in partnership with Booktrust, awards 15,000 to the winning author, with 3000 going to the runner-up. Featuring an all-female shortlist of fantastic writers, the winner will be announced 4th October.

Lavinia Greenlaw's first collection, Night Photograph, made an immediately favourable impact. Her second collection, A World Where News Travelled Slowly explores more local and personal matters. This volume serves to confirm the gifts Lavinia Greenlaw showed in her first book.

An original poetic work that brings alive Chaucer's great love story, illuminating the psychological drama at its heart.

Galileo's wife, a young woman dying of radium poisoning, the first dog in space, a strangely obsessed concert pianist, an early beneficiary of plastic surgery, and a Russian boy whose adventures are sadly limited by the immature powers of the child who has conjured him up are just some of the figures encompassed by Lavinia Greenlaw's imagination.

The Importance of Music to Girls tells the story of the adventures that music leads us into - getting drunk, falling in love, cutting our hair, wanting to change the world - as well as the darker side of the adolescent years: loneliness, bullying, getting arrested. Lavinia Greenlaw remembers the music that inspired and accompanied her, and compelled her generation. From fancying Donny Osmond, to wanting to be Ian Curtis, this is a razor-sharp memoir, filtered through the medium of music.

When Chaucer composed Troilus and Criseyde he gave us, some say, his finest poem, and with it one of the most captivating love stories ever written. A Double Sorrow, Lavinia Greenlaw's new work, takes its title from the opening line of that poem in a fresh telling of this most tortured of love affairs. Set against the Siege of Troy, A Double Sorrow is the story of Trojan hero Troilus and his beloved Criseyde, whose traitorous father has defected to the Greeks and has persuaded them to ask for his daughter in an exchange of prisoners. In an attempt to save her, Troilus suggests that Criseyde flees the besieged city with him, but she knows that she will be universally condemned and looks instead to a temporary measure: pretending to submit to the exchange, while promising Troilus that she will return to him within ten days. But once in the company of the Greeks she soon realises the impossibility of her promise to Troilus, and in despair succumbs to another. Lavinia Greenlaw's pinpoint retelling of this heart-wrenching tale is neither a translation nor strictly a 'version' of Chaucer's work, but instead creates something new: a sequence of glimpses from the medieval poem that refine the psychological drama of the classical story through a process of detonation or amplification of image and phrase into original poems. In a series of skillfully crafted seven-line vignettes, the author creates a zoetrope that serves to illuminate the intensity with which these characters argue each other and themselves into and out of love. The result is a breathtaking and shattering read -contemporary and timeless - that builds into an unforgettable telling of this most heartbreaking of love stories.

If Lavinia Greenlaw's Minsk was about home, her new collection tests the proximities of elsewhere, 'the circle round our house', the road between two lives. Its title recalls a phrase of Robert Lowell's to describe Elizabeth Bishop -- one of the book's presiding spirits, with her insistence on the provisional, on the moment in which perception is formed, on landscape as action rather than description. The Casual Perfect continues Lavinia Greenlaw's explorations of light and the borders of vision, which include a journey to the four corners of Britain to observe the solstices and equinoxes, and a cycle about the East Anglian landscape which is nine-tenths sky. Questions of travel hover around many of these poems, or questions which need to be 'travelled fully' rather than answered -- and which involve the overheard and the glimpsed, what is gleaned from traces and external signs. The result is a collection that is under-stated, spare but inclusive, which invites our presence as readers.

The Victorian artist and activist William Morris travelled to Iceland in search of an answer to the problem of how to live.

A POETRY BOOK SOCIETY RECOMMENDATIONMinsk, Lavinia Greenlaw's third collection, was shortlisted for the 2003 Whitbread Poetry Prize, the T. Eliot Prize and the Forward Prize for Best Collection.

A powerful, involving new novel, following on from the author's much-praised debut novel 'Mary George of Allnorthover'.'An Irresponsible Age', Lavinia Greenlaw's extraordinary new novel, is set in London in 1990, with Thatcher still in power but the country unwilling to 'abandon an idea just because it proved to be a bad one'. In these hesitant times we follow the life of Juliet Clough and her three siblings, all of them interdependent in a not-quite enviable way, clinging together after the death of a brother and the retreat of their grieving parents. When Juliet, the focus of them all, is drawn into a complex love affair with the enigmatic Jacob, the others, too, find themselves falling in love, and then evading the consequences. None will admit what they are doing, or why.