Michael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression.
In the 1880s and 1890s, feminist New Woman fiction and colonial adventure stories competed for the sympathies of their readers. While one form questions a system that proclaims male superiority and the right to dominate others, the second celebrates British male victories over ""savage"" landscapes, animals, and people.
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