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Böcker av Leo Tolstoy

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  • av Leo Tolstoy & Simon Parke
    171

    When most think of Tolstoy, they think of the great author. 'War and Peace' and 'Anna Karenina' brought him worldwide fame, and a good deal of money. Had he done nothing else in life, these two novels would have ensured him status and respect. Few others had written both a national epic and a great love story; and some might have been content with that. For his last thirty years, however, Tolstoy walked a different track. After his spiritual crisis, when he was 50, he exchanged his author's clothes for those of a prophet - a prophet who was to have a great influence on Gandhi amongst others. Through his prolific writing, he now became the scourge of the rich, the Church and the Government. Neither did he miss an opportunity to denounce both science and art. Darwin? Dostoyevsky? Shakespeare? No one was to be left standing. In 'Conversations with Leo Tolstoy', Simon Parke grants us the honour of sitting with the great man, towards the end of his life; and gives us the chance to chat with him. The conversation is imagined, but not Tolstoy's answers. This is Tolstoy is his own words, drawn from his extensive books, essays and letters; and the military, vegetarianism, marriage, non-violence, death, God and sex are all on the agenda. 'I want people to come away feeling they know Tolstoy,' says Simon Parke, who was keen to use only Tolstoy's authentic words. 'They will be become aware of his opinions certainly, for he was forthright in those. He had an opinion on everything! But I hope also that people leave with a sense of the man beneath the opinions. I don't always agree with him; but it is hard not to admire him. He was far from perfect, but as he says: just because he walks the road like a drunk, doesn't mean it's the wrong road.'

  • av Leo Tolstoy
    327 - 431

  • av Leo Tolstoy
    241

  • av Leo Tolstoy
    267

  • av Leo Tolstoy
    181 - 321

  • av Leo Tolstoy
    321

    In his book, 'Twenty Three tales,' we see Tolstoy's love of the short story, whether for children or adults; and witness the secret of simplicity and transparency of style, so evident in the great Russian writers. The children's stories remind us of Tolstoy's life-long passion for the schooling and education of peasant children. Of the adult stories, some draw on traditional Russian folk tales, breathe the air old peasant wisdom, and take us deep into the land of snow, bears, heartache and vodka. Other stories reflect Tolstoy's political and moral concerns, such as war, alcohol and greed.'The artist of the future,' wrote Tolstoy, 'will understand that to compose a fairy tale; a little song which will touch; a lullaby or a riddle which will entertain; a jest which will amuse or draw a sketch such as will delight dozens of generations or millions of children and adults, is incomparably more important and more fruitful than to compose a novel, or a symphony, or paint a picture of the kind which diverts some members of the wealthy classes for a short time and is then for ever forgotten. The region of this art of the simplest feelings accessible to all is enormous, and it is as yet almost untouched.''Work while ye have the light,' is Tolstoy in teaching mode. The opening scene is an aristocratic dinner party, at which all the guests declare themselves dissatisfied with their dissolute and useless lives; but find a thousand different reasons why nothing should change. There follows a moral tale, set in the 1st Century AD, when the new Christian sect was just getting noticed by the prevailing Roman Empire. It tells the story of two school friends, Pamphylius and Julius, who take different paths in life; but whose paths keep crossing. Pamphylius joins the Christians, living poor in community, while Julius acquires status and power. Here Tolstoy gives us his picture of authentic Christianity; and gives Julius a choice.

  • - What I Believe
    av Leo Tolstoy
    311

    'My Confession' is Tolstoy's chronicle of his journey to faith; his account of how he moved from despair to the possibility of living; from unhappy existence to 'the glow and strength of life'. It describes his spiritual and philosophical struggles up until he leaves the Orthodox Church, convinced that humans discover truth not by faith, but by reason.The story begins when at the age of 50, Tolstoy is in crisis. Having found no peace in art, science or philosophy, he is attacked by the black dog of despair, and considers suicide. His past life is reappraised and found wanting; as slowly light dawns within. 'As gradually, imperceptibly as life had decayed in me, until I reached the impossibility of living, so gradually I felt the glow and strength of life return to me... I returned to a belief in God.'Here is a quest for meaning at the close of the 19th century - a time of social, scientific and intellectual turbulence, in which old forms were under threat. Tolstoy looks around at both old and new alike, and like the author of Ecclesiastes, discovers that 'All is vanity'. His spiritual discoveries first take him into the arms of the Orthodox Church; and then force his angry departure from it.'My Religion' carries on from where 'My Confession' left off. Describing himself as a former nihilist, Tolstoy develops his attack on the church he has left. He accuses them of hiding the true meaning of Jesus, which is to be found in the Sermon on the Mount; and most clearly, in the call not to resist evil. For Tolstoy, it is this command which has been most damaged by ecclesiastical interpretation. 'Not everyone,' he writes, 'is able to understand the mysteries of dogmatics, homilectics, liturgics, hermeneutics, apologetics; but everyone is able and ought to understand what Christ said to the millions of simple and ignorant people who have lived and are living today.' Here is Tolstoy's religion; and non-violence is at its heart.

  • av Leo Tolstoy
    181 - 321

  • av Leo Tolstoy
    137

  • av Leo Tolstoy
    297

  • av Leo Tolstoy
    185

  • av Leo Tolstoy
    241

  • av Leo Tolstoy
    151

  • av Leo Tolstoy
    201

  • av Leo Tolstoy
    187

    When Marshal of the Nobility Pozdnyshev suspects his wife of having an affair with her music partner, his jealousy consumes him and drives him to murder. Controversial upon publication in 1890, "The Kreutzer Sonata illuminates Tolstoy's then-feverish Christian ideals, his conflicts with lust and the hypocrisies of nineteenth-century marriage, and his thinking on the role of art and music in society. In her Introduction, Doris Lessing shows how relevant "The Kreutzer Sonata is to our understanding of Tolstoy the artist, as well as to feminism and literature. This Modern Library Paperback Classic also contains Tolstoy's "Sequel to the Kruetzer Sonata.

  • av Leo Tolstoy
    477 - 611

  • av Leo Tolstoy
    121

    Please visit www.ArcManor.com for more books by this and other great authors.

  • - Stories by Tolstoy
    av Leo Tolstoy
    197

  • av Leo Tolstoy
    447 - 501

  • av Leo Tolstoy
    377 - 491

  • av Leo Tolstoy
    181 - 361

  • av Leo Tolstoy
    241 - 387

  • av Leo Tolstoy
    267

  • av Leo Tolstoy
    361 - 477

  • av Leo Tolstoy
    407

  • av Leo Tolstoy
    417

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