This paper examines the "muscular Christianity" phenomenon in Mel Gibson's 2004 film The Passion of the Christ and Ernest Hemingway's 1926 short play, "Today is Friday."
Full chapters are also devoted to examining his collections of short fiction, the African Stories, and the posthumous works. Each chapter carefully examines the major literary components of Hemingway's fiction with plot synopsis, analysis of character development, themes, settings, historical context, and stylistic features.
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