That Faulkner was a "liar" not just in his writing but also in his life has troubled many critics. This critical study by one of the most acclaimed international Faulkner scholars takes its cue from Nietzsche's concept of "truth as a mobile army of metaphors" and from Ricoeur's dynamic view of metaphor and treats the wearing of masks not as an ontological issue but as a matter of discourse.
This study of both literature and the visual arts is comparative in nature, attempting to establish an English symbolist tradition as part of an international development linking the nineteenth and twentieth centuries. Originally published by Cambridge in 1988, Lother Hoennighausen's book includes illustrations and a survey of critical works.
With a writer of Faulkner's scope and subtlety even the study of his beginnings is a challenging task. How did the young man who imitated Swinburne's verse and Beardsley's drawings develop into the author of The Sound and the Fury and Absalom, Absalom!?
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