Böcker av Lowell Edmunds

Mencken called "the only American invention as perfect as a sonnet."

Drawing on more than seventy works that dispersed the Oedipus legend from Greece to Asia, Africa, and the Americas, Edmunds provides a foundation for discussion of the lasting appeal of this legend, for claims of its universality, and for its uses as a vehicle for personal and cultural expression.

Intertextuality is a matter of reading.

Lowell Edmunds combines two readings of the "Oedipus at Colonus" to arrive at a fresh way of looking at Greek tragedy. He sets forth a semiotic theory of theatrical space and then applies his theory to the visual and spacial dimensions of the "Oedipus at Colonus".

It's a familiar story: a beautiful woman is abducted and her husband journeys to recover her. This story's best-known incarnation is also a central Greek myth-the abduction of Helen that led to the Trojan War. Stealing Helen surveys a vast range of folktales and texts exhibiting the story pattern of the abducted beautiful wife and makes a detailed comparison with the Helen of Troy myth. Lowell Edmunds shows that certain Sanskrit, Welsh, and Old Irish texts suggest there was an Indo-European story of the abducted wife before the Helen myth of the Iliad became known.Investigating Helen's status in ancient Greek sources, Edmunds argues that if Helen was just one trope of the abducted wife, the quest for Helen's origin in Spartan cult can be abandoned, as can the quest for an Indo-European goddess who grew into the Helen myth. He explains that Helen was not a divine essence but a narrative figure that could replicate itself as needed, at various times or places in ancient Greece. Edmunds recovers some of these narrative Helens, such as those of the Pythagoreans and of Simon Magus, which then inspired the Helens of the Faust legend and Goethe.Stealing Helen offers a detailed critique of prevailing views behind the "e;real"e; Helen and presents an eye-opening exploration of the many sources for this international mythical and literary icon.

Offers a detailed study of a single poem - Horace's Odes 1.9, often called "The Soracte Ode" after the mountain named in its second line. Lowell Edmunds is the first scholar to apply developments in literary theory from outside the field of classics to a discussion of the ode. Specifically, he uses Hans Robert Jauss's essay on Baudelaire's "Spleen (II)" as a model for his study.