Böcker av Ludwig Wittgenstein

Wittgenstein's Tractatus Logico-Philosophicus is one of the most influential philosophical texts of the twentieth century. Michael Beaney's new translation and detailed notes take into account the developments in scholarly understanding of the text.

During the pandemic, Marjorie Perloff, one of our foremost scholars of global literature, found her mind ineluctably drawn to the profound commentary on life and death in the wartime diaries of eminent philosopher Ludwig Wittgenstein (1889-1951). Upon learning that these notebooks, which richly contextualize the early stages of his magnum opus, the Tractatus-Logico-Philosophicus, had never before been published in English, the Viennese-born Perloff determinedly set about translating them. Beginning with the anxious summer of 1914, this historic, en-face edition presents the first-person recollections of a foot soldier in the Austrian Army, fresh from his days as a philosophy student at Cambridge, who must grapple with the hazing of his fellow soldiers, the stirrings of a forbidden sexuality, and the formation of an explosive analytical philosophy that seemed to draw meaning from his endless brushes with death. Much like Tolstoy's The Gospel in Brief, Private Notebooks takes us on a personal journey to discovery as it augments our knowledge of Wittgenstein himself.

Written in code under constant threat of battle, Wittgenstein's searing and illuminating diaries finally emerge in this first-ever English translation

In 1931 Ludwig Wittgenstein wrote his famous Remarks on Frazer's "Golden Bough," published posthumously in 1967. At that time, anthropology and philosophy were in close contact - thinkers drew heavily on anthropology's theoretical terms, in order to help them explore the limits of human belief and imagination. This is a translation of his work.

This book comprises material on colour which was written by Wittgenstein in the last eighteen months of his life. It is one of the few documents which shows him concentratedly at work on a single philosophical issue. The principal theme is the features of different colours, of different kinds of colour (metallic colour, the colours of flames, etc.) and of luminosity--a theme which Wittgenstein treats in such a way as to destroy the traditional idea that colour is a simple and logically uniform kind of thing.This edition consists of Wittgenstein's basic German text, together with an English translation.

Tractatus Logico-Philosophicus may be the most important book of philosophy written during the twentieth century. Wittgenstein's writing style is clear, succinct, and accessible. Bertrand Russell claimed that "I cannot see any point on which it is wrong. But to have constructed a theory of logic which is not at any point obviously wrong is to have achieved a work of extraordinary difficulty and importance." Required ready for anyone interested in philosophy.

Tractatus Logico-Philosophicus may be the most important book of philosophy written during the twentieth century. Wittgenstein's writing style is clear, succinct, and accessible. Bertrand Russell claimed that "I cannot see any point on which it is wrong. But to have constructed a theory of logic which is not at any point obviously wrong is to have achieved a work of extraordinary difficulty and importance." Required ready for anyone interested in philosophy.

This analyzes in depth such topics logical compulsion and mathematical conviction; calculation as experiment; mathematical surprise, discovery, and invention; Russell's logic, Godel's theorem, cantor's diagonal procedure, Dedekind's cuts; the nature of proof and contradiction; and the role of mathematical propositions in the forming of concepts.

For several terms at Cambridge in 1939, Ludwig Wittgenstein lectured on the philosophical foundations of mathematics. A lecture class taught by Wittgenstein, however, hardly resembled a lecture.

This is a facsimile reproduction of an early version of Wittgenstein's Tractatus Logico-Philosophicus, discovered in 1965. The text is edited to indicate all relevant deviations from the final version.

This bilingual volume - English and German on facing pages - brings together the writings Wittgenstein composed during his stay in Dublin between October 1948 and March 1949, one of his most fruitful periods. These writings helped form Part 2 of his "Philosophical Investigations".

Perhaps the most important work of philosophy written in the twentieth century, this was the only philosophical work Wittgenstein published during his lifetime.

Peter Winch's translation of Wittgenstein's remarks on culture and value presents all entries chronologically, with the German text alongside the English and a subject index for reference. "It was Wittgenstein's habit to record his thoughts in sequences of more or less closely related 'remarks' which he kept in notebooks throughout his life. The editor of this collection has gone through these notebooks in order to select those 'remarks' which deal with Wittgenstein's views abou the less technical issues in his philosophy. So here we have Wittgenstein's thoughts about religion, music, architecture, the nature of philosophy, the spirit of our times, genius, being Jewish, and so on. The work is a masterpiece by a mastermind."-Leonard Linsky

* Presents long-awaited scholar's edition of important material from 1933, Wittgenstein's first efforts to set out his new thoughts after the publication of the Tractatus Logico Philosophicus.

Completely revised throughout, Culture and Value is a selection from Wittgensteina s notebooks ---- on the nature of art, religion, culture, and the nature of philosophical activity.

Zettel is a collection of fragments which Wittgenstein cut from various of his typescripts and preserved for future use. More than half of the fragments were written in the years 1946–1948, after the completion of Part I and before the composition of Part II of the Philosophical Investigations. This collection may therefore be regarded as a companion volume to the Investigations, adding to both the scope and the Unity of Wittgenstein′s chef d′oeuvre. The fragments were kept in a box and were not strictly ordered. Many have marks showing changes and improvements made after they were cut from the typescripts; some have remarks added in handwriting. Editing the collection for publication was thus a task of considerable difficulty. Since Zettel was first published, further research has been carried out on the fragments and minute comparisons have been made with their typescript and manuscript sources, revealing certain inaccuracies and misinterpretations in the first editing of the work. The second edition corrects these shortcomings and includes new explanatory footnotes; a detailed index, compiled by Stephen Amdur, has also been added.