A vital exploration of postrevolution Cuban photography, tracing the evolution of artists' perspectives and strategies while offering rare insights for US audiences
Digitally imagined sculptural installations, from a master of black and white photographyCuban artist Adrián Fernández's (born 1984) latest photographic series combines images of the backsides of derelict billboards and digitally manipulates them into imagined architectural installations. Industrial and surreal in form, these farcical sculptures evoke the failure of certain large-scale social projects.
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