Böcker av Malcolm Jones

The secret Middle Ages

While acknowledging Dostoevsky's personal commitment to the Russian Orthodox faith, Jones argues that it is possible to understand his fictional world only in terms of the interplay of a wide variety of religious experiences and outlooks, including affirmations of faith and expressions of radical doubt and unbelief, and a constant questioning of one by the other. In their neglect of its outward expressions, Dostoevsky's novels seem to acknowledge that the Orthodox tradition has to die in order to be reborn in the light of the image of Christ and that, to use his own expression, the final 'hosanna' must pass through a 'furnace of doubt'.

This exciting addition to Dostoevsky studies deals with the religious dimension of the novelist's life and fiction. Malcolm Jones takes a fresh reading of Dostoevsky's representation of religion in his fictional world, that allows for both mystery and fear. The author argues that the spiritual map of human experience that Dostoevsky offers includes only the occasional small island of serenity in vast, turbulent oceans of doubt, rebellion, rejection, indifference and disbelief. Dostoevsky is also viewed as an artist, revealing glimpses of salvation through subversive narrative techniques and destabilized, vulnerable characters. Dostoevsky's fictional characters experience the dread of a meaningless void as well as a desperate longing for the restorative binding idea that religion offers. 'Dostoevsky and the Dynamics of Religious Experience' offers a balanced and authoritative argument. The book is structured through six clearly defined and self-reliant essays that take into account past and current criticism and offer a close textual analysis of Dostoevskys works, including 'The Double', 'Notes from Underground', 'Crime and Punishment', 'The Idiot', 'The Devils' and an in-depth study of 'The Brothers Karamazov'. This work is a major contribution to the study of Dostoevsky and Russian Literature in Europe, the USA, Russia and throughout the world.

The print repertoire of the sixteenth and seventeenth centuries in England has been neglected historically. This book provides an iconographic survey of the single-sheet prints produced in Britain during the early modern era and reveals significant discoveries from this visual storehouse.