Böcker av Margaret Atwood

A curious collection of essays, seeking answers to BURNING QUESTIONS such as: Why do people everywhere tell stories? How much of yourself can you give away without evaporating? What do zombies have to do with authoritarianism? In over fifty pieces, Atwood aims her prodigious intellect and impish humour at our world, and reports back to us.

BITCH. SCOLD. HARRIDAN.For centuries past, and all across the worldDRAGON. TIGRESS. SHE-DEVIL.There are words for a certain kind of womanFURY. HARPY. SPITFIRE.Words that raise our hackles, fire up our bloodHUSSY. SIREN. VIXEN.Words that tell a storyIn this blazing cauldron of a book, the boldest writers of our day take up these words and take up their pen, celebrating fifty years of Virago.

A dazzling collection of fifteen short stories from Margaret Atwood, the internationally acclaimed, award-winning author of The Handmaid's Tale and The Testaments.Margaret Atwood has established herself as a beloved cultural icon and one of the most visionary and canonical authors of her generation. In this collection comprised of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—Atwood speaks to our times with her characteristic wit and intellect. Of special significance are the seven works revolving around the long-term married couple Tig and Nell. Acting as bookends for the collection, these stories look deeply in the heart of what it means to spend a life together, with the four stories in Part I relating tales from their married life, and the three stories at the end showing Nell’s reality in the aftermath of Tig’s death. In other works, two sisters grapple with loss and memory in ”Old Babes in the Wood”; “Impatient Griselda” reprises the folkloric role of Griselda in Bocaccio’s The Decameron, exploring alienation and miscommunication; and “Evil Mother” touching on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. Returning to short fiction for the first time since her 2014 collection, Stone Mattress, Atwood’s storytelling gifts and unmistakable style are on full display.

"In this collection comprised of fifteen ... stories, ... Atwood speaks to our times with her characteristic wit and intellect. Of special significance are the seven works revolving around the long-term married couple Tig and Nell. Acting as bookends for the collection, these stories look deeply in the heart of what it means to spend a life together, with the four stories in Part I relating tales from their married life, and the three stories at the end showing Nell's reality in the aftermath of Tig's death. In other works, two sisters grapple with loss and memory; ... 'Impatient Griselda' reprises the folkloric role of Griselda in Bocaccio's The Decameron, exploring alienation and miscommunication; and 'Evil Mother' [touches] on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch"--

A groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing and prophetic author of The Handmaid's Tale, Margaret Atwood.

When first published in 1972, Survival was considered the most startling book ever written about Canadian literature. Since then, it has continued to be read and taught, and it continues to shape the way Canadians look at themselves. Distinguished, provocative, and written in effervescent, compulsively readable prose, Survival is simultaneously a book of criticism, a manifesto, and a collection of personal and subversive remarks. Margaret Atwood begins by asking: "What have been the central preoccupations of our poetry and fiction?" Her answer is "survival and victims." Atwood applies this thesis in twelve brilliant, witty, and impassioned chapters; from Moodie to MacLennan to Blais, from Pratt to Purdy to Gibson, she lights up familiar books in wholly new perspectives. This new edition features a foreword by the author.

Life Before Man explores the lives of three people imprisoned by walls of their own construction and in thrall to the tragicomedy we call love. Hanging over them all is the ghost of Elizabeth's dead lover, and the dizzying threat of three lives careening inevitably towards the same climax.

With brilliant flashes of fantasy, humour and unexpected violence, these stories reveal the complexities of human relationships and bring to life characters who evoke laughter, compassion, terror and recognition and dramatically demonstrate why Atwood is one of the most important writers in English today.

Rennie Wilford, a young jounalist running from her life, takes an assignment to a Caribbean island and tumbles into a world where no one is what they seem. When the burnt-out Yankee Paul (does he smuggle dope or hustle for the CIA?) offers her a no-hooks, no strings affair, she is caught up in a lethal web of corruption.

Features a man who finds himself surrounded by women who are becoming pale, silent and smaller; a woman's intimate life is strangely dominated by the fear of nuclear warfare; and a melancholy teenage love is swept away by a hurricane. This work captures the complex forces that govern our relationships, and the powerful emotions that guide them.

GOODREADS CHOICE AWARDS 2020 -- BEST POETRY The collection of a lifetime from the bestselling novelist, poet - and cultural phenomenon. Before she became one of the world's most important and loved novelists, Margaret Atwood was a poet. Dearly is her first collection in over a decade. It brings together many of her most recognisable and celebrated themes, but distilled -- from minutely perfect descriptions of the natural world to startlingly witty encounters with aliens, from pressing political issues to myth and legend.By turns moving, playful and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in flux, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment.Dearly is a pure Atwood delight, and long-term readers and new fans alike will treasure its insight, empathy and humour.'A new volume of poetry by the writer of wit and optimism . . . Just when we needed her most' Gentlewoman*BOOK OF THE YEAR OBSERVER, FINANCIAL TIMES *

In this brilliant selection of essays, the award-winning, best-selling author of The Handmaid's Tale and The Testaments offers her funny, erudite, endlessly curious, and uncannily prescient take on everything from debt and tech to the climate crisis and freedom and the importance of how to define granola-and seeks answers to Burning Questions such as...• Why do people everywhere, in all cultures, tell stories?• How much of yourself can you give away without evaporating?• How can we live on our planet?• Is it true? And is it fair?• What do zombies have to do with authoritarianism?In more than fifty pieces, Atwood aims her prodigious intellect and impish humour at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump, and a pandemic. From when to dispense advice to the young (answer: only when asked) to how to define granola, we have no better guide to the many and varied mysteries of our universe.

InDearly, Margaret Atwoods first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and - zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.While many are familiar with Margaret Atwoods fictionincluding her groundbreaking and bestselling novelsThe Handmaids Tale,The Testaments,Oryx and Crake, among othersshe has, from the beginning of her career, been one of our most significant contemporary poets. And she is one of the very few writers equally accomplished in fiction and poetry.This collection is a stunning achievement that will be appreciated by fans of her novels and poetry readers alike.

"Sharp writing . . . Atwood susses out the artistic romper room of our unconscious in art-in mythology, children's tales and ghost stories.... If Atwood had a mascot it would be the trickster. " -John Freeman, San Francisco Chronicle

By the author of The Handmaid's Tale and Alias Grace Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancee and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine, and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach ... The Edible Woman is a funny, engaging novel about emotional cannibalism, men and women, and desire to be consumed.'Margaret Atwood not only has a sense of humour, she has wit and style in abundance ... a joy to read' Good Housekeeping'Written with a brilliant angry energy' Observer 'A witty, elegant, generous and patient writer' Punch

By the author of The Handmaid's Tale and Alias Grace'One of the most important novels of the 20th century . . . utterly remarkable' New York Times A young woman returns to northern Quebec to the remote island of her childhood, with her lover and two friends, to investigate the mysterious disappearance of her father. Flooded with memories, she begins to realise that going home means entering not only another place but another time. As the wild island exerts its elemental hold and she is submerged in the language of the wilderness, she sees that what she is really looking for is her own past.

From the author of The Handmaid's Tale and Alias Grace*Rabbit superheroes. A theory of masks and capes. Victorian otherlands.From her 1940s childhood to her time at Harvard, Margaret Atwood has always been fascinated with SF. In 2010, she delivered a lecture series at Emory University called 'In Other Worlds: SF and the Human Imagination.' This book is the result of those lectures. It includes essays on Ursula Le Guin and H G Wells, her interesting distinction between 'science fiction proper' and 'speculative fiction', and the letter which she wrote to the school which tried to ban The Handmaid's Tale. *'Spooky . . . wild' - Telegraph'Elegant and witty' - Guardian'Eminently readable and accessible . . . The lectures are insightful and cogently argued with a neat comic turn of phrase . . . Her enthusiasm and level of intellectual engagement are second to none' - Financial Times

Margaret Atwood's witty and informative book focuses on the imaginative mystique of the wilderness of the Canadian North. She discusses the 'Grey Owl Syndrome' of white writers going native; the folklore arising from the mysterious-- and disastrous -- Franklin expedition of the nineteenth century; the myth of the dreaded snow monster, the Wendigo; the relations between nature writing and new forms of Gothic; and how a fresh generation of women writers in Canada have adapted the imagery of the Canadian North for the exploration of contemporary themes of gender, the family and sexuality. Writers discussed include Robert Service, Robertson Davies, Alice Munro, E.J. Pratt, Marian Engel, Margaret Laurence, and Gwendolyn MacEwan.This superbly written and compelling portrait of the mysterious North is at once a fascinating insight into the Canadian imagination, and an exciting new work from an outstanding literary presence.

By the author of The Handmaid's Tale and Alias GraceTHE DOOR is Margaret Atwood's first book of poetry since the 1995 MORNING IN THE BURNED HOUSE. Its lucid yet urgent poems range in tone from lyric to ironic to meditative to prophetic, and in subject from the personal to the political viewed in its broadest sense. They investigate the mysterious writing of poetry itself, as well as the passage of time and our shared sense of mortality. As the New York Times has said, 'Atwood's poems are short, glistening with terse, bright images. . . ' A brave and compassionate book, THE DOOR interrogates the certainties that we build our lives on.

By the author of The Handmaid's Tale and Alias Grace Curious Pursuits is a collection of personal essays, book reviews and articles from the fierce, ingenious mind of Margaret Atwood, ranging from 1970 to the present. Atwood remembers moving to London as a starry-eyed teenager in 1964 and her first attempts at gardening; she discusses feminist utopias in fiction, and writes moving odes on beloved classics like Anne of Green Gables. Personal life and fiction are shelved side by side in this revealing, insightful collection of Atwood's non-fiction writing.PRAISE FOR Curious Pursuits'A goldmine' Sunday Times'Reminds one that Atwood is a superbly funny (as well as serious) writer; her wit is winningly relaxed and genial as well as sharp' Spectator'The glimpses into the writing process and her reflections on identity will delight fans of her novels, who will also recognise flashes of her mordant wit' Times

By the author of The Handmaid's Tale and Alias GraceThe sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. the air smells faintly of burning. The waterless flood - a man-made plague - has ended the world.But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden. Is anyone else out there?

By the author of The Handmaid's Tale and Alias GraceThis collection of short stories follows a woman at different points in her life, from the loneliness of childhood, the ardour and confusion of young adulthood, and the mortality we must all eventually face up to. Moral Disorder is Margaret Atwood at her very finest. Praise for Moral Disorder: 'Atwood entices us to flip through the photo album of a Canadian woman who closely resembles herself. Come here, sit beside me, she seems to say. Then she takes us on an emotional journey through loneliness, love, loss and old age' Sarah Emily Miano, The Times'Atwood makes it look so easy, doing what she does best: tenderly dissecting the human heart . . . A marvellous writer' Lee Langley, Daily Mail'A model of distillation, precision, clarity and detail . . . Atwood writes with compassion and intensity not only about her characters but also about the 20th century itself' Mary Flanagan, Independent