In exploring these modern philosophers of the animal and its instinctual life, the author inevitably rebiologizes them even against efforts to debiologize thinkers whose works can be studied profitably for their models of signification.
Looking at the work without novelistic expectations of the illusion of some "keyto unlock the mystery, Norris explores Joyce's rationale for committing his last human panorama-a bit sadder than Ulysses in its concern with aging, killing, and dying-to a form and language belonging to the deconstructive forces of the twentieth century.
Analyzes the stories in James Joyce's "Dubliners". This work examines the text for counterindictions and draws on the social context of the writing in order to offer readings from diverse theoretical perspectives.
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