Böcker av Marjorie Agosin

A deep meditation on the power and resonance of the sea.In a stunning collection of prose poems, Agosin reflect on the sea as a force of transformation,  a creative force of energy, spirituality, and redemption. She writes about the patterns of the ocean, its moods day and night, and the sea as a constant companion.

This new edition of The House of Memory: Stories by Jewish Women Writers of Latin America revisits the meaning of heritage and home, exploring the experience of losing the familiar to embrace the unknown. While often painful in its examination of antisemitism, this collection of essays embraces the belief that hope and love can triumph over adversity and racism. This collection contains over thirty stories from internationally acclaimed writers, such as Clarice Lispector and Margo Glantz, as well as new voices, with some appearing for the first time in English translations. Although many of the stories are rooted in the Jewish experience and tradition, there is a universal resonance that transcends place, race, gender and religion to speak of matters that are still ever-present to all of us.

Helena Broder fled from Nazi Vienna to Chile. Her great-grand-daughter, poet, novelist, and human rights activist Marjorie Agosin, takes us on a journey through time and space, and across thresholds between life, death and dreams, to discover her great-grandmother's lost voice.

Anne Frank was a young Jewish girl forced into hiding with her family by the Nazi regime that occupied the Netherlands in the Second World War. No one would have known of her, her family or their fate had it not been for the survival of the diary that she kept during this time, a book that has long been an inspiration to the poet and writer Marjorie Agosín. In her quest to introduce more young people to this tragic tale of the irrepressible Anne, the author provides a lyrical and engaging imagining of Anne's world. Through Anne's eyes, the reader is taken on the family's journey: their flight from Hitler's Germany, the excitement of a new start in Amsterdam and their eventual confinement in a small set of hidden rooms where they lived in fear of discovery, transportation and likely death.

Gabriela Mistral is the only Latin American woman writer to be awarded the Nobel Prize in Literature. Even so, her extraordinary achievements in poetry, narrative, and political essays remain largely untold.

In Taking Root, Latin American women of Jewish descent, from Mexico to Uruguay, recall their coming of age with Sabbath candles and Hebrew prayers, Ladino songs and merengue music, Queen Esther and the Virgin of Guadalupe. Rich and poor, Sephardi and Ashkenazi, Jewish immigrant families searched for a new home and identity in predominantly Catholic societies. The essays included here examine the religious, economic, social, and political choices these families have made and continue to make as they forge Jewish identities in the New World.Marjorie Agosin has gathered narratives and testimonies that reveal the immense diversity of Latin American Jewish experience. These essays, based on first- and second-generation immigrant experience, describe differing points of view and levels of involvement in Jewish tradition. In Taking Root, Agosin presents us with a contemporary and vivid account of the Jewish experience in Latin America.Taking Root documents the sadness of exile and loss but also a fierce determination to maintain Jewish traditions. This is Jewish history but it is also part of the untold history of Brazil, Argentina, El Salvador, Ecuador, Chile, Peru, and all of Latin America.

I only wanted to write about them, Narrate their fierce audacity, Their voyages through the channels of the Mediterranean. With that stanza, a poetic journey begins in search of presence and absence among islands in the Mediterranean that for millennia were homes and then refuge for Sephardic Jews after the Alhambra Decree, the Expulsion. Inspired by her own journey to the Greek Islands, to Salonika, Rhodes, Crete, the Balkans, Agosin searches for the remnants of Sepharad. In her poems, we hear the rhythm of waves, the wandering, a life of exile on distant shores. We hear voices of Sephardi women past and present with the occasional intonation of Ladino at times, embraced with modern Spanish. We hear it in the voices of her Paloma, Estrella, Luna, in the fullness of their lives, loves, dreams, faith, hope. It is an evocative and sensual voyage to communities now mostly lost after the Holocaust. "The White Islands" is a lyrical world recovered and tasted with language and song, lament and joy, custom and prayer, longing and hope. It is a Sepharad that remains alive, vibrant with beauty, and with each exquisite poem, a lighthouse of remembrance."

In these lyrical meditations in prose and poetry, Agosin evokes the many places on four continents she has visited or called home. Recording personal and spiritual voyages, the author opens herself to follow the ambiguous, secret map of her memory, which ""does not betray."" Agosin writes of Diaspora, exile, and oppression.

A meditation on love and its meanings in the land of Israel.

This collection of letters chronicles a remarkable, long-term friendship between two women who, despite differences of religion and ethnicity, have followed remarkably parallel paths from their first adolescent meeting in their native Chile to their curre