A fresh study of creative practice and exchange in theatre and the visual arts in eighteenth-century France, nourished by archival research and by histories of innovation, community and knowledge transfer in the Enlightenment.
The artistic accomplishments of James Northcote (1746-1831) have tended to be overshadowed by his role as a biographer of Joshua Reynolds, first President of the Royal Academy of Arts. This book focuses on Northcote's One Hundred Fables (1828), a masterpiece of wood engraving.
Addresses art history's complex relationships with fiction, poetry, and creative writing. Inspired by a 2010 conference, this volume examines art historians' viewing practices and modes of writing.
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