Defines 'sensory history', stresses the importance of historicizing the senses, and considers each sense chapter by chapter. This book examines visual culture in Victorian Britain and South America, sound in nineteenth-century Australia and France, and gender politics and touch in Early Modern Europe and among Native Americans.
Offers stories of survival and experience, of the tenacity of social justice in the face of a natural disaster, and of how recovery from Camille worked for some but did not work for others.
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