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Böcker av Mark McKenna

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  • av Mark McKenna
    336,-

    "THIS WEEK''S HOTTEST NEW RELEASES: Murder befouls the outback...   [A] gripping work of true crime." —USA TODAYReturn to Uluru explores a cold case that strikes at the heart of white supremacy—the death of an Aboriginal man in 1934; the iconic life of a white, "outback" police officer; and the continent''s most sacred and mysterious landmark.Inside Cardboard Box 39 at the South Australian Museum’s storage facility lies the forgotten skull of an Aboriginal man who died eighty-five years before. His misspelled name is etched on the crown, but the many bones in boxes around him remain unidentified. Who was Yokununna, and how did he die? His story reveals the layered, exploitative white Australian mindset that has long rendered Aboriginal reality all but invisible.  When policeman Bill McKinnon’s Aboriginal prisoners escape in 1934, he’s determined to get them back. Tracking them across the so called "dead heart" of the country, he finds the men at Uluru, a sacred rock formation. What exactly happened there remained a mystery, even after a Commonwealth inquiry. But Mark McKenna’s research uncovers new evidence, getting closer to the truth, revealing glimpses of indigenous life, and demonstrating the importance of this case today. Using McKinnon’s private journal entries, McKenna paints a picture of the police officer''s life to better understand how white Australians treat the center of the country and its inhabitants. Return to Uluru dives deeply into one cold case. But it also provides a searing indictment of the historical white supremacy still present in Australia—and has fascinating, illuminating parallels to the growing racial justice movements in the United States.

  • av Mark McKenna
    286,-

    Australia is on the brink of momentous change, but only if its citizens and politicians can come to new terms with the past.In this inspiring essay, Mark McKenna considers the role of history in making and unmaking the nation. From Captain Cook to the frontier wars, from Australia Day to the Uluru Statement, we are seeing passionate debates and fresh recognitions. McKenna argues that it is time to move beyond the history wars, and that truth-telling about the past will be liberating and healing. This is a superb account of a nation's moment of truth."The time for pitting white against black, shame against pride, and one people's history against another's, has had its day. After nearly fifty years of deeply divisive debates over the country's foundation and its legacy for Indigenous Australians, Australia stands at a crossroads - we either make the commonwealth stronger and more complete through an honest reckoning with the past, or we unmake the nation by clinging to triumphant narratives in which the violence inherent in the nation's foundation is trivialised." -Mark McKenna, Moment of TruthThis issue also contains correspondence discussing Quarterly Essay 68, Without America, from Ely Ratner, Michael Green & Evan S. Medeiros, Patrick Lawrence, David Shambaugh, John Fitzgerald, Merriden Varrall, Andrew Shearer, Kim Beazley, and Hugh White.

  • - The Marketing and Distribution of the Video Nasties
    av Mark McKenna
    300 - 1 250,-

    Considers the technological, economic and aesthetic histories of the early British video industry as part of the broader global film industry.

  • - A History of Republicanism in Australia 1788-1996
    av Mark McKenna
    660,-

    This first comprehensive history of republican thought and activity in Australia traces debate around an Australian republic from 1788 to the present. Essential reading for all with an interest in political and intellectual history. It will become the essential work on Australian republicanism.

  • av Mark McKenna
    166,-

    A book that features the adventures of Banana Tail the monkey, along with his friends Tic Tac, a plaid zebra, and Slubb the hippo, as they try to solve the mystery of why their best friend Reena, the color-changing rhino, is distraught and changing into an array of colors right in front of their eyes.

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