In Photography: Race, Rights & Representation Mark Sealy discusses the critical work photographic images do in culture. Through photography, the book engages with notions of history, alienation, migration, civil and human rights, community and representational politics.
This book examines how Western photographic practice has been used as a tool for creating Eurocentric and violent visual regimes, and demands that we recognise and disrupt the ingrained racist ideologies that have tainted photography since its inception in 1839.
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