Böcker av Martin Wagner

This book examines Vienna’s Burgtheater, the most prestigious German-language stage in the nineteenth century.

Ob Kursentwicklungen von Aktien oder Anleihen, die Entwicklung des Bruttoinlandsproduktes, die Inflationsrate oder die Arbeitslosenquote, die Wirtschaftsseiten der Zeitungen sind voll von Zeitreihen. Wie man solche Zeitreihen analysiert, Muster und Regelmaigkeiten erkennt und Prognosen fur die zukunftige Entwicklung erstellt, zeigt Ihnen dieses Buch.Der Text der 3. Auflage wurde grndlich berarbeitet und ein Kapitel ber die Analyse von Zeitreihen im Frequenzbereich hinzugefgt.

This new series presents original scholarly and essayistic work addressing the central status of literature in and for the human sciences. At stake in the monographs and essay collections are paradigms of literary forms for thinking the human sciences: the knowledge involved in a literary work; how modes of reading and writing shape and depend on an epoch or area of thinking; literature's affinities and points of resistance to what we call the humanities and the sciences. In other words, the series examines how literature works with and upon philosophy, rhetoric, technology, anthropology, sociology, statistics, economics, history, experimental science, mathematics etc. Paradigms is primarily concerned with German letters, but also includes its European and comparative literary contexts.All volumes will be published in English and are first reviewed by the series editors followed by a peer review from two academics in the particular area of specialization. Two to four volumes are planned annually. EditorsRudiger Campe (Yale University, New Haven CT)Karen S. Feldman (University of California, Berkeley) Editorial BoardEva Geulen (Zentrum fur Literatur- und Kulturforschung, Berlin)Rudiger Gorner (Queen Mary, University of London)Barbara Hahn (Vanderbilt University)Daniel Heller-Roazen (Princeton University)Helmut Muller-Sievers (University of Colorado at Boulder)William Rasch (Indiana University, Bloomington)Joseph Vogl (Humboldt University, Berlin)Elisabeth Weber (University of California, Santa Barbara) Submission FormatThe series accepts monographs and edited volumes, if they systematically approach a specific topic and show a high level of coherence and focus.Please submit an abstract and table of contents with narrative description of each chapter (4-5 pages total, single-spaced) as well as a CV along with the complete manuscript.Only complete manuscripts can be evaluated. In exceptional cases, abstracts or outlines can be submitted to discuss the general fit of a book with the series' editors. Please understand that a final commitment for publication can only be reached on the basis of a complete manuscript.Manuscripts should have a minimum length of circa 200 pages (approximately 500,000 characters including spaces).Please submit your abstract, table of contents, and CV as one file; the complete manuscript as a second file to Dr. Myrto Aspioti: myrto.aspioti@degruyter.com.

Spending their summer holidays at their grandparents' house by the sea, Sam and her two brothers play a series of dangerous games, pitted against each other yet united in their secrecy from the grown-ups.

It's all in a day's work for high-flying literary agent Alexander; manuscripts to read, deals to be done, celebrity clients to be taken out to lunch... but first there is an author to deal with whose latest book the agent thinks is, frankly, not up to scratch. However he hadn't counted on the author's resourcefulness...

When 9-year-old Joe is unexpectedly elected prime minister, he quickly discovers that to negotiate the pitfalls of modern politics, you have to compromise. But how can he stay true to what he believes? From the author of The Little Driver.