Böcker av Matthew Wilson

A stimulating narrative and reference resource that guides the reader through the most significant symbols from worldwide art history. The Hidden Language of Symbols covers a wide-ranging selection of visual culture under one unified theme: symbols. Often not immediately apparent, our day-to-day lives abound with symbols of various kinds from national emblems to emojis, allegories to logos, all of which exert a strong hold in the image-saturated, globalized world of the 21st century and have a fascinating story. Organized across four all-encompassing themes - power, faith, hope and uncertainty - this stimulating illustrated account of forty-eight key symbols from global art history is aimed at gallery-goers, armchair art sleuths or anyone who wants to understand the history of their visual environment from an unusual and creative angle. Drawing on examples from the imaginary, natural, physical and religious worlds; from dragons to eagles, butterflies to labyrinths and rainbows to wheels; author and art historian Matthew Wilson discusses the different types of symbols from their creation, their development and why they evolved, to the various ways they have been interpreted. He also explains in what way symbols are markers of identity that have the power to unite and divide societies and looks at how they have shaped the world beyond the gallery, revealing their impact on the appearance of our cities, the language of advertising and blockbuster films and even the design of corporate logos.

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A down-to-earth, visual guidebook that shows how to "read," understand, and get the most out of art.

This book examines diverse ways of questioning, critiquing, and communicating site in the creative process of architecture, interior design, urban planning, and historical and cultural studies. The authors use the term site to connote a series of complex, established, or pre-existing conditions - a setting, an atmosphere, an area - to read, to interpret, to relate to, and to engage with, to redefine, or to create in relation to a design prompt. By acknowledging, accommodating, and empowering the physical, intellectual, and cultural characteristics of a site, students question its history, boundaries, posture, and situational aspects. Such inquiries promote a deeper appreciation of a site and thus help students to acknowledge its capacity to influence design throughout the iterative creative process.Understanding Site in Design Pedagogy adds to the body of literature on design studio pedagogy by presenting a collection of essays that challenge normative assumptions about what defines a site and its distinctive qualities. It poses a series of pedagogical questions for how sites might be diversely interpreted and introduced to design students. This study offers chapters that speak to site, memory, and lived experience; multi-scalar thinking about site; connecting to site through sensory phenomenon in interior design; alternate ways of engaging site for learning sustainable principles; and introducing unorthodox forms of site as the impetus to creative endeavours. It offers innovative approaches to scholarship of teaching and learning with respect to diverse readings of site within design education.

This book is about the life and times of Richard Congreve. As the foremost British acolyte of Auguste Comte, Congreve sought to employ the philosopher's new science of sociology to dismantle the British Empire.

A reference guide to fifty of the most frequently occurring symbols in global art history

Being too tall is both a blessing and a curse. From school to sports to dating and beyond, the land of the giants is a place rife with physical, social, racial and emotional struggles. A sense of humor is a must when confronting Lilliputians on your travels. This book is a light-hearted attempt to let the reader in on the secret world of seven footers. The author also touches on relevant social and racial issues such as white privilege and the National Anthem protest.

A Handful of Fears Held Together By A Few Joys is a small collections of poems and short stories created over the course of the last four years of my life. The themes mostly include tragedy, recollection, understanding, struggle, resentment, and (of course) a few joyful scenarios. This collection was mainly published as a facet of personal reflection, but I feel the themes covered in the book may be more universal and relatable to a wider audience.

Today recognised as a major innovator of American fiction, Charles W. Chesnutt is an important contributor to de-romanticizing trends in post-Civil War Southern literature, and a singular voice among turn-of-the-century realists who wrote about race in American life. Whiteness in the Novels of Charles W. Chesnutt is the first study to focus exclusively on Chesnutt's novels.

This book is about the possibility of organising society without the state, but, crucially, it makes the claim, contrary to much anarchist theory, that such a life would not entail absolute freedom; rather, as the title suggests, it would mean creating new forms of social organisation which, whilst offering more freedom than state-capitalism, would nonetheless still entail certain limits to freedom. In making this argument, a secondary point is made, which highlights the book's originality; namely, that, whilst anarchism is defended by an increasing number of radicals, the reality of what an anarchist society might look like, and the problems that such a society might encounter, are rarely discussed or acknowledged, either in academic or activist writings.