This book comprehensively looks at the oeuvre of a major Irish woman poet, Medbh McGuckian. It positions her oeuvre as political, historical poetry crafted through the poetics of silence: a defamiliarized English, a reliance on the image, and the deployment of multiple forms of intertextuality.
This is an inspired contribution to the scholarship on one of the most influential American novels and novelists. The author positions Beloved as a meditation on historical justice and re-comprehends it as both a formal tragedy¿a generic translation of fiction and tragedy or a "novel-tragedy" (Kliger)¿and as a novel of objects.
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