This book brings together theatre historians to identify and exemplify a variety of productive new approaches to the investigation of plays, players, playwrights, playhouses and other aspects of theatre in the long eighteenth century. Their inquiries range from stage censorship and anti-theatricalism to the political resonances of adultery comedy.
Even among the richly talented generation who wrote for the stage during the Restoration, Etherege was, from the start, considered to be a very special kind of innovator. This edition includes annotated texts of all three plays, prefaced by an account of Etherege's life and the reception of his plays on the stage and in criticism.
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