How films of the 1960s and early 1970s framed therapeutic issues as problems of human communication, and individual psychological problems as social ones.
Why and how does the appeal of certain male Hollywood stars cross over from straight to gay audiences? Do stars lose their appeal to straight audiences when they cross over? This book responds to these questions with an analysis of three famous "crossover" stars - James Dean, Mel Gibson, and Keanu Reeves.
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