The notion of a weak Messianic power serves as the focal point for this study of theological, materialist, poetic, and post-Freudian psychoanalytic approaches to time and the historical unconscious in the work of Benjamin, Celan and Derrida.
The Belated Witness examines major works by Art Spiegelman, Cynthia Ozick, Christa Wolf, and Paul Celan, focusing specifically on the unsettling configuration of birth-as-death trauma around which these texts are organized.
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