Printing Terror argues that horror comics of the Cold War primarily concern white male victimhood and the monstrosity of the gendered and/or racialised other. -- .
Structured around key political events in the US between 1938 and 1975, this book combines analyses of visual and textual discourse, including comic-book letters pages, to come to a more complete picture of the relationship between comic-books as documents and the people who read and created them.
Prenumerera på vårt nyhetsbrev för att få fantastiska erbjudanden och inspiration för din nästa läsning.
Genom att registrera dig accepterar du vår personuppgiftspolicy.
