Böcker av Michael Hurley

Michael Hurley, an experienced attorney and former professional sailor, returns to the sea to give us a thought-provoking memoir of a man's yearning for redemption and renewal in the wake of infidelity, divorce, and failure.

A collection of readings and reflections for participants in the Inspiring Faith Communities programme.

In an easy to read style, this book will provide possibilities and sightlines for individuals, communities and parishes, in their search for authentic freedom, renewal, and community.

DO YOU BELIEVE IN EVERLASTING LOVE?Jay Danforth Fitzgerald, known as ';Fitz' to his few remaining friends, has learned from long and painful experience that there is no such thing as love that lasts. A failed an aging stockbroker full of angst and self-loathing, he fritters away his nights in Tiddly's Bar and his days aboard a derelict sailboat stuck in the mud of Charleston Harbor. But when he meets a much younger woman named Gemma, his world changes forever.Award-winning author Michael Hurley has crafted a tale for the ages about the love we leave behind and the longing that fills our hearts for what might have been. When Fitz resolves to make a reckless solo passage to Ireland in a last-ditch grab for salvation, Gemma secretly stows aboard. The story of Gemma and Fitz plays out on the dramatic stage of the North Atlantic, on a boat bound toward the past Fitz cannot forget and a future he cannot imagine.

John Richardson was Canada''s first native-born poet-novelist and ''The Father of Canadian Literature.'' Michael Hurley offers the first detailed account of Richardson''s fiction rather than of his life or sociological importance. Hurley makes a convincing case for Richardson as an important early cartographer of the Canadian imagination and the originator of ''Southern Ontario Gothic.'' He explores Richardson''s influence on James Reaney, Alice Munro, Robertson Davies, Christopher Dewdney, Frank Davey, and Marian Engel. Arguing that Wacousta and The Canadian Brothers hold central places in our literature, Hurley shows how these two works established a set of boundaries that our national literary discourse has largely kept hidden. Focusing on the protean concept of the border in the fiction of this man from the periphery, The Borders of Nightmare underlines the importance of boundaries, margins, shifting edges, and the coincidence of equally matched opposites in necessary balance to both Richardson and subsequent writers. In an age of postmodernism these novels - riddled as they are with discontinuities, paradoxes, ambiguity, and unresolved dualities that problematize the whole notion of a stable, coherent national or personal identity - anticipate and define a number of concerns that preoccupy us today.