Böcker av Michel Chion

Michel Chion's landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment.

Appearing here in English for the first time, Michel Chion's Sound addresses the philosophical questions that inform our encounters with sound, stimulating our thinking about being open to new sounds and to explore the links between language, technology, culture, and hearing.

Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.

Twin Peaks, Blue Velvet, Wild at Heart and Eraserhead have turned David Lynch into an American cult figure. This lively book is a uniquely comprehensive account of the only director to have a smash hit TV series in the same year as winning the Golden Palm at Cannes.

Chion analyzes imaginative uses of the human voice by directors like Lang, Hitchcock, Ophuls, Duras, and de Palma.

'Animals who know they will die, beings lost on earth, forever caught between two species, not animal enough, not cerebral enough.' In a supplementary chapter Chion argues that Kubrick's last film, Eyes Wide Shut (1999), is a return to 2001, a final statement of its concerns.

Stanley Kubrick died on 7 March 1999 at his Hertfordshire home, having finished the editing of his last film. Looked at this way, Eyes Wide Shut reveals itself to be a deeply moving film about characters who are not so different from real people, a film about life in which questions of meaning and motive lose their value.