In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the skin.
Explores the writings of Marcus Garvey, Claude McKay and C.L.R. James and argues that these black transnationals articulated a novel conception of black identity that reconfigures the meaning of American nationality
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