Spring. Florence. Giacomo's palazzo. Mark is invited to decipher some archival material. A young man's confession in 1957 recalls Mark's father-in-law, who has remained an enigma. How does one live with grief unspoken and walls unfallen? Can one forgive the unforgivable?
Olivier returns from New York to Paris to find his sister Constance in pieces. Trying to fulfil his brotherly duty, he discovers a world beyond his imagination. What has an ancient diagram got to do with it all? Why is colour a metaphor for our existence? Why is divination a science?
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